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" I am a Tony voter; it is an honor that I take seriously. Each season, I enter the process with a degree of enthusiasm and optimism, which dissipates as I slowly plow through show after show. "
Lynn Nottage
Season
Honor
I Am
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" It's very important for me to have dialogues across racial lines. "
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Me
Very
" The essence of creativity is to look beyond where you can actually see. I don't want to dwell in same place too long. "
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Long
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Want
" My parents are avid consumers of art, collectors of African American paintings, and have always gone to the theater. My mother has always been an activist, too. As long as I can remember, we were marching in lines. "
Lynn Nottage
American
Remember
Parents
" The more you go to a theatre and the more you hear stories you aren't necessarily familiar with, the more open you become. "
Lynn Nottage
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Become
Go
" I try to be led by my curiosity. "
Lynn Nottage
Try
Curiosity
Led
" I knew that there was a great deal of depth and life that was sitting just beyond my mother's gaze. "
Lynn Nottage
Life
Sitting
Mother
" If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that. "
Lynn Nottage
Questions
Anger
Doing
" When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes. "
Lynn Nottage
Men
America
Angry
" I find my characters and stories in many varied places; sometimes they pop out of newspaper articles, obscure historical texts, lively dinner party conversations and some even crawl out of the dusty remote recesses of my imagination. "
Lynn Nottage
Party
Imagination
Dinner
" Silence is complicity. I believe that. "
Lynn Nottage
Believe
Silence
I Believe
" In my family history, there are generations of women who were abandoned by men. It's one of the themes of my family. "
Lynn Nottage
Abandoned
Family
Women
" There was no way I was going to write about Africa and not include the triumphant continuity of life that had also been part of my experience there. It's not just war and famine all the time. "
Lynn Nottage
Time
Life
Way
" I wouldn't say I see my work as having a political ideology. Lynn Nottage certainly has a political ideology. I think that the work is an extension of who I am, but I don't think that when I write the play I'm looking to push the audience one way or another. "
Lynn Nottage
I Am
Think
Looking
" The stage is the last bastion of segregation. "
Lynn Nottage
Segregation
Last
Stage
" American audiences very rarely deal with material outside their borders. "
Lynn Nottage
Deal
American
Borders
" The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller. "
Lynn Nottage
Love
Political
Person
" We need to diversify the people who are backstage and producing and marketing these shows. It's the limitations of these people that are holding Broadway back. "
Lynn Nottage
Back
Broadway
Marketing
" It is such a joy to join a legacy of amazing female playwrights who have managed to break through the glass ceiling and reinvigorate the Broadway stage by bringing a fresh and necessary perspective. "
Lynn Nottage
Perspective
Amazing
Joy
" I think folks who are resistant to engaging in art become less so once they encounter art that really reflects them. "
Lynn Nottage
Think
Engaging
Become
" If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white. "
Lynn Nottage
Looking
White
You
" All of my plays are about people who have been marginalized... erased from the public record. "
Lynn Nottage
People
Public
Who
" I wrote 'Ruined' and 'Vera Stark' at the same time. That's just how my brain functions - when I'm dwelling someplace very heavy, I need a release. "
Lynn Nottage
Brain
Time
Same
" For me, the first thing is to tell a good story. "
Lynn Nottage
Story
Good Story
Me
" I love Twitter. "
Lynn Nottage
I Love
Love
Twitter
" 'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.' "
Lynn Nottage
Saying
Great
Play
" I wonder: Would there be a black president if people hadn't already begun imagining, through film and television, that a black man is president? It's self-actualization. "
Lynn Nottage
Wonder
Man
Television
" African American women in particular have incredible buying power. Statistically, we go to the movies more than anyone. We have made Tyler Perry's career. His films open with $25 million almost consistently. "
Lynn Nottage
Movies
American
Career
" The presence of a bed changes the way people interact. "
Lynn Nottage
Bed
Changes
People
" Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson. "
Lynn Nottage
Start
Writing
Music
" I do see myself as an old-fashioned storyteller. But there's always a touch of the political in my plays. "
Lynn Nottage
Myself
Touch
See