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All Quotes by author - Phyllida Lloyd
" Art is all about giving yourself these terrifying challenges, these peaks to climb. You're at the bottom of the mountain at the start of every new project thinking, 'Am I going to make it?' "
Mountain
You
Yourself
" As a woman, I think Margaret Thatcher felt she had to be ten times more prepared than the men. "
Prepared
Men
More
" Directing is quite a nuts-and-bolts thing. It's a mixture of creating an atmosphere in which actors can feel safe enough to be dangerous. "
Dangerous
Enough
Feel
" Do as much theatre as you can while you're at school. "
While
You
School
" Frankly, I find it very odd that, in a population that's more than 50 per cent of women, that Hollywood isn't producing more movies to cater to that audience. The demographic is being grossly underserved, in my opinion. "
Women
Audience
Find
" I didn't really realize I was a woman director until I walked onto the set at Pinewood Studios when I did 'Mamma Mia!' and everybody was calling each other 'Governor' and 'Sir'... and then, looking at me, 'Well... good morning!' "
Looking
Good
Woman
" If you believe that how you do your work is as influential as the work you do, then a theatre rehearsal, which is a microcosm of the world, is the perfect place to model social change because if it doesn't work this time, you can try again on the next production. "
Theatre
You
Change
" If you have bad hair and you bite your nails, nobody expects that you can't direct plays. "
Your
Bad
Hair
" If you're an actor, you have to look spiffing. But as the director, you don't need to look so glamorous. "
You
Actor
Need
" I have been very lucky, and I think it all goes back to state subsidy for the arts. I gained my training and confidence and credentials in the not-for-profit world, and in England, that does not mean on the fringe of things. It means right at the centre. "
Confidence
Training
Think
" In a way, 'Mamma Mia!' was such a left-field thing for me. "
Me
Way
Thing
" In a way, the debate about Margaret Thatcher in Britain has just gotten fossilized in this notion that she is either this she-devil who wrecked the industrial base of the country and ruined the lives of millions, or she is the blessed Margaret who saved the nation and rescued us from our post-war decline. "
She
Nation
Debate
" In Europe, it is not so unusual for directors to move between opera, theatre, and film, and I have at least three girlfriends I can think of who have directed in all three genres. "
Theatre
Move
Film
" In London, it's quite a rarefied activity to be on an analyst's couch. "
Activity
Quite
London
" In management terms, directing opera certainly prepares you for a film set: the magnitude of it, the experts in other fields that you have to call on. Both are massive ensemble jobs in which there's incredible pressure to get things done on time and on budget - so much so that making the wrong decision may be better than making no decision at all. "
Pressure
Management
Decision
" In the not-for-profit world, I never felt that being female was an impediment. I was, however, given my break into commercial theatre by a female producer, Judy Craymer, and women - in particular, Donna Langley, president of production at Universal - were crucial in giving 'Mamma Mia' a home in Hollywood. "
Giving
Home
Theatre
" In the theatre in the U.K., women are at the very top of the tree as freelance directors. "
Theatre
Freelance
Women
" I realised you could become fat and bald as a director and still remain employable. "
Director
Bald
Become
" I realized that I didn't think I could stand the psychological battering that actors have to withstand. I just felt I wasn't cut out for that kind of self-promotion. "
Stand
Out
Think
" I started working in London, and I've been free-lance ever since. "
Been
Working
Started
" I think courage is commensurate with your fear - if you lack imagination and you're fearless, that's not courage to me. "
Imagination
Fear
Courage
" I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions. "
Theatre
Think
Chaos
" I think Margaret Thatcher was a superstar in this country, and I think we all felt we needed a superstar to play her, somebody of huge intelligence, passion, and power and warmth. "
Her
Intelligence
Power
" It's the job of the artist to take something that everybody thinks they know about, they've made a decision about, they will be immovable on, and to shine a light on it. "
Job
Light
Shine
" It was extraordinary to experience 'Mamma Mia!' What an injection of good spirit and heart it was. "
Good
Heart
Spirit
" I wanted to be an actress from about the age of five. "
Wanted
Five
Age
" I was given a mask of myself by Frances Barber when we opened 'Julius Caesar.' I looked much younger and prettier. Wearing it was certainly cheaper than Botox. "
Mask
Myself
Barber
" I was hellbent on going to drama school, but my mother, rightly, panicked and persuaded me to go to university on the grounds that a degree would be 'something to fall back on.' Whilst at college, I realised I wasn't good enough or robust enough to be an actress. "
Mother
Me
Good
" I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout. "
Live
Weird
Time
" Margaret Thatcher always felt like an outsider in her party. "
Always
Party
Outsider
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