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" Directing is quite a nuts-and-bolts thing. It's a mixture of creating an atmosphere in which actors can feel safe enough to be dangerous. "
Phyllida Lloyd
Dangerous
Enough
Feel
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" I started working in London, and I've been free-lance ever since. "
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Started
" Shakespeare was writing about his time, and it was a time when women were beginning to demand a voice, demand a say in their lives for one reason or another, mainly to do with the economics of the time. "
Phyllida Lloyd
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Beginning
" The power of a close-up can be extraordinary, but you have to have actors who are able to reveal themselves. "
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" In the not-for-profit world, I never felt that being female was an impediment. I was, however, given my break into commercial theatre by a female producer, Judy Craymer, and women - in particular, Donna Langley, president of production at Universal - were crucial in giving 'Mamma Mia' a home in Hollywood. "
Phyllida Lloyd
Giving
Home
Theatre
" I realised you could become fat and bald as a director and still remain employable. "
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Become
" I was hellbent on going to drama school, but my mother, rightly, panicked and persuaded me to go to university on the grounds that a degree would be 'something to fall back on.' Whilst at college, I realised I wasn't good enough or robust enough to be an actress. "
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Good
" I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout. "
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Time
" I think courage is commensurate with your fear - if you lack imagination and you're fearless, that's not courage to me. "
Phyllida Lloyd
Imagination
Fear
Courage
" If you believe that how you do your work is as influential as the work you do, then a theatre rehearsal, which is a microcosm of the world, is the perfect place to model social change because if it doesn't work this time, you can try again on the next production. "
Phyllida Lloyd
Theatre
You
Change
" To be invited to the Park - the greatest free Shakespeare festival in the world - is a great honor, and I don't take it lightly. "
Phyllida Lloyd
Take
Free
Great
" Art is all about giving yourself these terrifying challenges, these peaks to climb. You're at the bottom of the mountain at the start of every new project thinking, 'Am I going to make it?' "
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Mountain
You
Yourself
" Margaret Thatcher was pro-choice. She voted to decriminalize homosexuality. Was not profoundly religious. She was very liberal on social issues. "
Phyllida Lloyd
She
Social Issues
Pro-Choice
" In management terms, directing opera certainly prepares you for a film set: the magnitude of it, the experts in other fields that you have to call on. Both are massive ensemble jobs in which there's incredible pressure to get things done on time and on budget - so much so that making the wrong decision may be better than making no decision at all. "
Phyllida Lloyd
Pressure
Management
Decision
" I was given a mask of myself by Frances Barber when we opened 'Julius Caesar.' I looked much younger and prettier. Wearing it was certainly cheaper than Botox. "
Phyllida Lloyd
Mask
Myself
Barber
" Onstage, there's a separation between character and audience; onscreen, you can go to a deeper place. "
Phyllida Lloyd
Separation
You
Place
" When I began to direct, I discovered that I was much more comfortable than I was acting. "
Phyllida Lloyd
Much
More
Comfortable
" I realized that I didn't think I could stand the psychological battering that actors have to withstand. I just felt I wasn't cut out for that kind of self-promotion. "
Phyllida Lloyd
Stand
Out
Think
" Opera is too obsessed with buildings. "
Phyllida Lloyd
Obsessed
Opera
Buildings
" In a way, the debate about Margaret Thatcher in Britain has just gotten fossilized in this notion that she is either this she-devil who wrecked the industrial base of the country and ruined the lives of millions, or she is the blessed Margaret who saved the nation and rescued us from our post-war decline. "
Phyllida Lloyd
She
Nation
Debate
" I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions. "
Phyllida Lloyd
Theatre
Think
Chaos
" I have been very lucky, and I think it all goes back to state subsidy for the arts. I gained my training and confidence and credentials in the not-for-profit world, and in England, that does not mean on the fringe of things. It means right at the centre. "
Phyllida Lloyd
Confidence
Training
Think
" If you have bad hair and you bite your nails, nobody expects that you can't direct plays. "
Phyllida Lloyd
Your
Bad
Hair
" In a way, 'Mamma Mia!' was such a left-field thing for me. "
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Me
Way
Thing
" Frankly, I find it very odd that, in a population that's more than 50 per cent of women, that Hollywood isn't producing more movies to cater to that audience. The demographic is being grossly underserved, in my opinion. "
Phyllida Lloyd
Women
Audience
Find
" Do as much theatre as you can while you're at school. "
Phyllida Lloyd
While
You
School
" When I was asked to read a screenplay about Margaret Thatcher, I think I felt immediate apprehension. "
Phyllida Lloyd
Read
Think
Asked
" You can't wait for someone to discover you; you have to just get on and do it. Have confidence that directing is a very suitable job for a woman - with our gift for collaboration, listening, and reading the nuance of things. "
Phyllida Lloyd
Gift
Confidence
Woman
" There's something about doing Shakespeare with a single gender, whether it is all-male or all-female, that opens up certain possibilities. You are able to throw the behavior of the men into a particular relief and be playful within a slightly larger-than-life way with it. "
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Men
Behavior
Doing
" It was extraordinary to experience 'Mamma Mia!' What an injection of good spirit and heart it was. "
Phyllida Lloyd
Good
Heart
Spirit
" I wanted to be an actress from about the age of five. "
Phyllida Lloyd
Wanted
Five
Age