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" All writers are magpies, right? We're always stealing bits from different places and then weaving them into our little nest. "

Stacey D'Erasmo

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" A touring band is a family and a workplace at the same time, and you're living with people you didn't necessarily choose every day for up to a year. "

Stacey D'Erasmo

" As readers, we sense when the game is being played for real and when something else is afoot: pride, showmanship, the pursuit of power, self-aggrandizement, revenge, making money. Not that there's anything wrong with any of that, but I dislike closing a book with the sense that I've been had. "

Stacey D'Erasmo

" There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure. "

Stacey D'Erasmo

" 'The Girls,' by Lori Lansens, is a ballad, a melancholy song of two very strange, enchanted girls who live out their peculiar, ordinary lives in a rural corner of Canada. "

Stacey D'Erasmo

" You can get anything online, including things that don't even exist. We've invented our own collective unconscious. The normal rules of time and space don't apply. It's held together by some other force than gravity. It's endless. It's like some unimaginably huge, messy novel that's writing itself both with and without us. "

Stacey D'Erasmo

" My books - I kid you not - are very often shelved between DeLillo and de Sade. Which not only completely cracks me up, but it seems like an encouraging message from the universe: between those two, there's a lot of wiggle room. I feel just fine there. "

Stacey D'Erasmo

" Fiction, at its best, is a radical act of intimacy. It seeks to join, to merge, to know deeply; and, as with intimacy, there is a way in which it cannot be faked. "

Stacey D'Erasmo

" If we are indeed nostalgic for the weight of clock time, it is worth remembering that the standardized time that most of us know has only been around since the mid-nineteenth century. It was invented for the railroads. "

Stacey D'Erasmo

" I was influenced by big, strong voices - writers like Elizabeth Bowen, Virginia Woolf, Jane Bowles; gay writers like Ed White, Michael Cunningham, Allen Hollinghurst; and contemporary lesbian writers, like Dorothy Allison. "

Stacey D'Erasmo

" There are more clocks than ever - clocks on computers, on cell phones, on televisions, on any screen available, telling time to the digital second - but they all seem to matter less. "

Stacey D'Erasmo

" A lot of first novels are coming-of-age stories. A lot are autobiographical. "

Stacey D'Erasmo

Autobiographical

" You can conclude from the glossy surfaces of 'The L Word' that L stands for latte or Lexus and stop there. Or you can notice that in some of its less flashy moments, the show has staked a claim on Large - as in a larger, denser, more ambivalent imaginary world, populated by imperfect and riveting citizens of all sexual stripes. "

Stacey D'Erasmo

" The railroads needed standardized time; as a result, the technology of train travel shaped the way everyone gets up, eats, goes to sleep, calculates age, and, perhaps of no small importance, imagine the world as a whole, ticking reliably, with reliable deviations, according to the beat of one central clock in a physical location. "

Stacey D'Erasmo

" I never thought much about God, certainly never wondered whether God was thinking about me, until I fell in love with a Zen Buddhist priest. "

Stacey D'Erasmo

" The spirits of Havelock Ellis, Magnus Hirschfeld and Richard Freiherr von Krafft-Ebbing waft through the text to lend 'The Third Sex' an air of scientific authority. "

Stacey D'Erasmo

" Visibility is a tricky thing; is someone visible when you can point her out in a crowd, or when you understand what her life feels like to her? "

Stacey D'Erasmo

" In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began. "

Stacey D'Erasmo

" The knot of intimacy at the center of 'Ten Thousand Saints' is the friendship between Teddy McNicholas and Jude Keffy-Horn. "

Stacey D'Erasmo

" I'm embarrassed to reveal that I never went to CBGB's in the '80s. I was never cool enough to be a punk, and I wouldn't have had the stamina, or the discipline, for straight-edge. "

Stacey D'Erasmo

" The much-lauded visual artist Roni Horn got her Master's in Sculpture from Yale in the Seventies, but in the course of her career she has moved, among other media, from watercolors to photographs to floor-sized installations and mats of poured gold. "

Stacey D'Erasmo

" While 'A Blessed Child' might have been a more tough-minded book had Ullmann thrown a spanner into the works, it's not hard to understand her decision to keep things going. "

Stacey D'Erasmo

" One of the first times that I went into a book store and saw a bunch of my books, my impulse was to put them all under my coat and run away so that no one else could see them, even though, of course, I wanted everyone to see them. "

Stacey D'Erasmo

" Reading 'The Third Sex' feels a bit like flying in a veering helicopter over a rain forest that is disappearing before one's eyes. "

Stacey D'Erasmo

" Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman. "

Stacey D'Erasmo

" As lightly toned by reality as the women on 'Sex and the City,' the bold, soigne characters on 'The L Word' suggest that L is also for limerence, that rapturous state of early love when the entire world is glowing and delectable. "

Stacey D'Erasmo

" Readers, like writers, are essentially amoral. Arm's length will never do. We want to get closer. "

Stacey D'Erasmo

" In 1976, divorce could still raise eyebrows, as could a woman's decision not to have children. Dyslexia wasn't as commonly recognized then, and thus not treated as it is today. "

Stacey D'Erasmo

" Historians of European royalty have written of the king's 'two bodies' : one mortal and corrupt; the other divine, abstract and timeless. "

Stacey D'Erasmo

" One of the many pleasures of 'Versailles' is the way in which it seems to emanate not only from the vexed inner being of Marie Antoinette but from the interstices between what we imagine of her and what she was. "

Stacey D'Erasmo

" Royalty mostly seem like members of some anachronistic faith, like the Amish, peculiar in gilded buggies. "

Stacey D'Erasmo