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" There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure. "

Stacey D'Erasmo

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" The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus. "

Stacey D'Erasmo

" I'm a huge fan of San Francisco. And I was out here for a couple years in the mid-'90s when I was a Wallace Stegner Fellow at Stanford. "

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" In my family, we were on again off again Unitarians, partly because my father, raised Roman Catholic, had had enough of church. "

Stacey D'Erasmo

" The knot of intimacy at the center of 'Ten Thousand Saints' is the friendship between Teddy McNicholas and Jude Keffy-Horn. "

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" I'm not a parent, but it seems to me the nature of parenting is contingent, full of unexpected challenges - which is one of the wonderful and amazing things about it. "

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" What interests me are the complexities and contradictions and struggles and joys of messy human beings. "

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" In 1976, divorce could still raise eyebrows, as could a woman's decision not to have children. Dyslexia wasn't as commonly recognized then, and thus not treated as it is today. "

Stacey D'Erasmo

" Reading 'The Third Sex' feels a bit like flying in a veering helicopter over a rain forest that is disappearing before one's eyes. "

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" 'The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed. "

Stacey D'Erasmo

" You can conclude from the glossy surfaces of 'The L Word' that L stands for latte or Lexus and stop there. Or you can notice that in some of its less flashy moments, the show has staked a claim on Large - as in a larger, denser, more ambivalent imaginary world, populated by imperfect and riveting citizens of all sexual stripes. "

Stacey D'Erasmo

" Historians of European royalty have written of the king's 'two bodies' : one mortal and corrupt; the other divine, abstract and timeless. "

Stacey D'Erasmo

" Of course, a secret is no good if it doesn't need to be a secret. "

Stacey D'Erasmo

" The spirits of Havelock Ellis, Magnus Hirschfeld and Richard Freiherr von Krafft-Ebbing waft through the text to lend 'The Third Sex' an air of scientific authority. "

Stacey D'Erasmo

" While 'A Blessed Child' might have been a more tough-minded book had Ullmann thrown a spanner into the works, it's not hard to understand her decision to keep things going. "

Stacey D'Erasmo

" Writers and musicians are very similar in that the chances of making a life in either field are so infinitesimal. And once you're in, the chances of staying viable are difficult. But there is something incredibly different about performing in front of a live audience, as opposed to sitting at your desk typing. "

Stacey D'Erasmo

" The railroads needed standardized time; as a result, the technology of train travel shaped the way everyone gets up, eats, goes to sleep, calculates age, and, perhaps of no small importance, imagine the world as a whole, ticking reliably, with reliable deviations, according to the beat of one central clock in a physical location. "

Stacey D'Erasmo

" Visibility is a tricky thing; is someone visible when you can point her out in a crowd, or when you understand what her life feels like to her? "

Stacey D'Erasmo

" That feeling of being part of a group moving together is very powerful. It feels like it opens up a zone of possibility, a place for another self to form, also a place for a new world to form. "

Stacey D'Erasmo

" Prior to the institutionalization of standard time, clocks were set using local meridians or local mean time, and they varied widely. "

Stacey D'Erasmo

" The songs in 'Wonderland' don't have a melodic life for me - I'm not a musical person - but they have an emotional life, an emotional echo perhaps. "

Stacey D'Erasmo

" As lightly toned by reality as the women on 'Sex and the City,' the bold, soigne characters on 'The L Word' suggest that L is also for limerence, that rapturous state of early love when the entire world is glowing and delectable. "

Stacey D'Erasmo

" I don't go online when I'm writing - that's the devil's workshop - but in general, I'm on there as much as any other global citizen. "

Stacey D'Erasmo

" I write things in my house, and hopefully there's a reader out there who enjoys it and has an experience with it, but that's very different than a performer on stage, where there's an immediate dance with the audience. It's incredibly powerful. "

Stacey D'Erasmo

" In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began. "

Stacey D'Erasmo

" One of the things I've always loved about queer culture is the openness and passionate curiosity about love, desire and the myriad forms of affectionate ties. "

Stacey D'Erasmo

" A lot of first novels are coming-of-age stories. A lot are autobiographical. "

Stacey D'Erasmo

Autobiographical

" A bit of a theory, more a corner of the eye noticing than an airtight argument: in the course of long artistic careers, women are more likely than men to change form and style, Proteus-like. "

Stacey D'Erasmo

" Music is quicksilver, gossamer; careers are measured in butterfly lifetimes. "

Stacey D'Erasmo

" All writers are magpies, right? We're always stealing bits from different places and then weaving them into our little nest. "

Stacey D'Erasmo

" In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated. "

Stacey D'Erasmo