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" I generally don't follow domestic news that much aside from how it relates to the stories I'm covering abroad, like what Americans think of the War in Afghanistan. "
Lynsey Addario
War
Think
Stories
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" My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel. "
Lynsey Addario
Strength
Light
War
" I'm a very open person, very self-deprecating. I accept my flaws. "
Lynsey Addario
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Open
" Family is such a fundamental part of Islam, and women run the family. I had to force myself not to impose my own definition of political and social freedom on women in Islam, and approach each story objectively. "
Lynsey Addario
Story
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Freedom
" I was undeterred by the danger of traveling as a single American woman through Taliban-governed land. I believed in the stories I wanted to tell, the stories I felt were underreported, and I was convinced that that belief would keep me alive. "
Lynsey Addario
Belief
Woman
Me
" The Taliban rose to power in 1996, vowing stability and an end to the violence raging across the country between warring mujahedeen factions, and to implement rule by Sharia law, or strict Islamic rule. "
Lynsey Addario
Violence
Power
End
" Most people, when they meet me, one of the first things they say is, 'Why would you voluntarily subject yourself to war? Why would you go into these places where you know there's a risk of getting killed?' "
Lynsey Addario
Yourself
Me
Know
" Obviously I am a photographer and I believe in my medium: I do think that powerful photographs can force change. It doesn't take long to look and be engaged in a strong image whereas, with a story, you have to actually sit down and pause and be involved in it. "
Lynsey Addario
Powerful
Think
Change
" When I'm documenting, for example, a story on women in Afghanistan, I will do a huge amount of research and a lot of time on the ground just getting to know the women before I even start shooting. "
Lynsey Addario
Start
Women
Time
" I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact. "
Lynsey Addario
Great
Impact
Start
" I grew up in Connecticut, going in and out of New York City, and I worked in the city in the '90s. I was freelancing for the Associated Press, and I fell in love with New York. "
Lynsey Addario
City
Going
Love
" I try not to get caught up in how our society is so inundated with images, and stay very focused on the work that I'm doing. "
Lynsey Addario
Focused
Society
Work
" I got rejected from journalism school! "
Lynsey Addario
Got
Journalism
Rejected
" In so many countries, Western journalists are viewed simply as dollar signs. We're ransom objects. "
Lynsey Addario
Countries
Dollar
Many
" Journalists dedicate their lives to covering war - they make many personal sacrifices, and it's not something that's gender-based. In a place like Libya where there's heavy fighting, it doesn't matter if you're a man or a woman. "
Lynsey Addario
Fighting
War
Woman
" If I'm doing a story on how a single mother copes in a refugee camp, I'll go to her tent; I'll follow her when she's working, see what her daily life is like, and try to pack that into one composition, with nice light, in one frame. "
Lynsey Addario
Mother
Daily
Daily Life
" Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money. "
Lynsey Addario
Expect
Fast
Happen
" Look, I would say that anyone who does this work and doesn't have a strain of idealism is an adrenaline junkie or completely narcissistic. There is no other justification. You're risking your life, and if anything happens, it's our families who suffer tremendously. "
Lynsey Addario
Life
You
Look
" Let's get one thing straight: I am not an adrenaline junkie. Just because you cover conflict doesn't mean you thrive on adrenaline. It means you have a purpose, and you feel it is very important for people back home to see what is happening on the front line, especially if we are sending American soldiers there. "
Lynsey Addario
People
Purpose
I Am
" I've always wanted to do a photo book, but I've never done one because I've never felt ready; I just didn't feel my work was good enough. "
Lynsey Addario
Work
Enough
Feel
" As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful. "
Lynsey Addario
Different
Woman
Sex
" I've worked for over 11 years in the Muslim world, and the one thing that I feel like I've learned - who's to say if it's true or not true, it's just my experience - is that men don't like to see really strong, aggressive women in that area of the world. "
Lynsey Addario
Strong
Women
Men
" The first time I visited Afghanistan in May 2000, I was 26 years old, and the country was under Taliban rule. I went there to document Afghan women and landmine victims. "
Lynsey Addario
Old
Time
First Time
" I wanted to continue doing my work, but I had to figure out how. And so what I have basically come up with is that I still go to Afghanistan and Iraq and South Sudan and many of these places that are rife with war, but I don't go directly to the front line. "
Lynsey Addario
Line
Doing
War
" Since Sept. 11, many of the wars of our generation are in the Muslim world. So as a woman, I have access to 50 percent of the population that my male colleagues don't. "
Lynsey Addario
World
Colleagues
Woman
" I would never think of myself as a role model. "
Lynsey Addario
Role
Think
Myself
" With each assignment, I weigh the looming possibility of being killed, and I chastise myself for allowing fear to hinder me. War photographers aren't supposed to get scared. "
Lynsey Addario
Myself
War
Fear
" As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away. "
Lynsey Addario
Always
Turn
Trying
" I knew that my interest lied in international stories. I was interested in how women were living under the Taliban, for example. "
Lynsey Addario
How
Example
Women
" I always knew my death would be a possible consequence of the work I do. But for me it was a price I was willing to pay because this is what I believed in. "
Lynsey Addario
Work
Price
Possible
" I had first visited Kurdistan in 2003 before the invasion of Iraq, camping out in Erbil and Sulaimaniya while waiting for Saddam Hussein's fall. "
Lynsey Addario
Before
Waiting
First