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" 'The Missing Picture' came together slowly, after much provocation and by refusing different forms, until I finally found the right form. "
Rithy Panh
Much
Missing
Together
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" In this era of digital special effects, I think it's good to work with our hands and our hearts, to use water and clay, to dry it in the air from the sun. This brings you back to the element of life. "
Rithy Panh
Sun
Water
Work
" We need creativity. We need more poetry after Auschwitz. "
Rithy Panh
More
Poetry
After
" I have only one life, and I can't do all. If I do one thing well, I'm happy. "
Rithy Panh
Happy
Only
Well
" I never want to be a film director - I want to be a teacher. "
Rithy Panh
Director
Never
Teacher
" When I do feature films, I usually have a very strong sense of what I want to do. I have topics and subjects, so I go for it. I even know technically what I want to. But in the case of documentary, the story comes to me. "
Rithy Panh
Know
Want
Strong
" There is no book-learning culture in Cambodia. People do not read. The children do not read in school. Educators must come up with a policy that meets the great need for knowledge: using modern audiovisual methods that the young can connect with. "
Rithy Panh
Children
Great
Knowledge
" Art is freedom. If you defend art, you defend freedom. "
Rithy Panh
Art
Freedom
Defend
" When you screen a film like 'The Missing Picture,' it is not like watching TV. Watching TV is very solitary. When you watch cinema, you watch it together, and you talk about it after the screening. "
Rithy Panh
Cinema
Talk
Picture
" It's better to live a world where you can hear different languages and sensibilities. "
Rithy Panh
You
Live
Different
" People of my generation did not like very much to tell what we lived through during the Khmer Rouge regime. "
Rithy Panh
Tell
Generation
Like
" Filming, for me, is a way of approaching, little by little - of getting closer and closer to my subject. And that subject itself can transform, or it can remain the same. "
Rithy Panh
Me
Transform
Way
" 'The Missing Picture' is about my story and my parents. Before this film, I never said 'I' in a film, so it is very personal. "
Rithy Panh
Personal
Story
Said
" In all of my films, there is a desire to testify, to interrogate the past. "
Rithy Panh
Testify
Films
Past
" Film is subjective, and we must be careful with that. The kinds of films I love are those that observe, and I give possibility for people to talk. No need for me to tell people what to think - even when I make a film like 'S-21.' It's only one point of view. It's still a film; it's not a tribunal. "
Rithy Panh
Love
Me
Need
" When I make a film, I don't watch a lot of other films. I read a lot; I try to read poems, things that can liberate my human condition, that make me go away... I spend a lot of the time doing nothing, just concentrating on the subject. Sometimes I'll sit in my chair for two or three hours without doing anything. "
Rithy Panh
Time
Three
Sometimes
" To me, form is not something that you can plan beforehand, especially for a documentary. You can't write it or sketch it. It requires a confrontation with reality, with history, with ethics and morals. After identifying good content, you have to find the right form to express that content. "
Rithy Panh
Ethics
Reality
Me
" To find money to make a film, you have to write maybe 50 pages to explain what you'd like to do, what the film will be, but everybody lies. Because he doesn't know what the film will be. Everybody writes 50 pages and sends it to a TV channel, a producer, to get money, but everybody lies. Or else your film is not interesting. "
Rithy Panh
Know
Interesting
You
" Every time you are getting ready to make a shot in a documentary film, you are asking yourself questions about your cinematographic approach. You are approaching the truth, but the image is never the truth itself. "
Rithy Panh
Yourself
Questions
You
" I love when you get the feeling of some social reality with a fictional film. "
Rithy Panh
You
Love
Feeling
" I am lucky to be a film director. I can create, express. It proves that I am still alive and the Khmer Rouge did not succeed in destroying me. "
Rithy Panh
I Can
Lucky
Me
" I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films. "
Rithy Panh
Me
Tell
Always
" We need a peaceful, modern Cambodia. We need to achieve that. It's not easy. "
Rithy Panh
Easy
Peaceful
Need
" The Khmer Rouge tried to delete everything. They tried to erase our past, our personality, our land, our sentiment. What we tried to do in 'The Missing Picture' was to reconstruct our identity, to bring it back to the people through cinema. "
Rithy Panh
Past
Identity
Personality
" If you can keep something very personal, like a song, like a color, like a story, deep in your heart, then nobody can destroy that. Nobody can destroy your imagination; nobody can destroy your love. "
Rithy Panh
Love
Imagination
Heart
" We must be capable of writing our own history. "
Rithy Panh
Must
Capable
Writing
" Sometimes if you can tell one personal story with a lot of sincerity, it can become a universal story. "
Rithy Panh
You
Tell
Sometimes
" I left Cambodia when I was 12 or 13. I didn't really escape, but I needed to go away. "
Rithy Panh
Away
Escape
Go
" I wasn't predestined to be a filmmaker; this wasn't an obvious choice to me. "
Rithy Panh
Filmmaker
Obvious
Me
" Of course, when you're making a documentary, you don't have actors, but nonetheless, there is a writing process that does take place in the editing room. "
Rithy Panh
Editing
You
Writing
" Cannes or Oscars is not only to bring happiness and recognition - they protect people like me. The world knows who you are. You can work. You can express. You can help other people. It's not only the star system. It's a symbol of freedom. "
Rithy Panh
Happiness
Freedom
People