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" Describe character using dialogue. Describe character using what the characters see or do or think, but not what they had done or where they had been. "
Colm Toibin
Character
See
Think
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" People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away. "
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" It really matters to writers to find and treasure readers, all the more when they're on the other side of the world. "
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Matters
More
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" I feel just fine about ignoring or bypassing the rights of people I have known and loved to be rendered faithfully, or to be left in peace, and out of novels. "
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" I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room. "
Colm Toibin
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" Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.' "
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" I don't think we have a right to enjoy our neuroses; in fact, I believe that we have a duty not to. But we cannot walk away from ourselves. Who else is there to become? "
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" The best thing about New York is working late into the night. At 1 in the morning on a Saturday, to be still working, there's an immense satisfaction in being enclosed by it. "
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Best
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" The Roman Catholic Church and its rituals were so much part of life that, although my parents would often question a small matter of dogma and none of us seemed more religious than anyone else, no one ever questioned the rituals or the basic tenets of belief. "
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" I have to write a first draft with a fountain pen before I type it up as a second. "
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Fountain
" I'm slightly influenced by sport in that I like the idea of trying, like an athlete, to keep absolutely ready. That's an emotional thing, almost. I don't mean physically, although I play tennis. But you try to keep yourself ready. "
Colm Toibin
Athlete
Play
Trying
" I was first in Sydney in 1993, and have been a few times since then. For someone who didn't know Australia, it came as a shock how intelligent, interesting and funny the people were. If I lived there I might see it differently, but as a visitor it was a lot of fun. "
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Funny
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" Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure. "
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Me
Writing
" Writing tends to be very deliberate. A novelist could probably run a military campaign with some success. They could certainly run a country. "
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Run
Country
Military
" The old Victorian laws against homosexuality were still on the statute books until the early 1990s. As a gay man living in Ireland, I and people like me found it easy to feel less than citizens. "
Colm Toibin
People
Early
Man
" I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly. "
Colm Toibin
Child
Work
Sleep
" The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop. "
Colm Toibin
Moments
Good
Distance
" The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side. "
Colm Toibin
Go
Fountain
Problem
" I wrote every day between the ages of 12 and 20 when I stopped because I went to Barcelona, where life was too exciting to write. "
Colm Toibin
Write
Because
Day
" Three of my novels and a good number of my short stories are told from the point of view of men. I was brought up in a house of women. "
Colm Toibin
Women
View
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" While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone. "
Colm Toibin
Work
Time
Know
" I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland. "
Colm Toibin
Violence
Book
Cruelty
" Writer's block! It doesn't exist. You just long for ideas to go away so you have an idea of peace. "
Colm Toibin
Ideas
Go
Peace
" I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what should happen. "
Colm Toibin
Happens
Happen
Ideal
" In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation. Imagined worlds can lodge deeply in the private sphere, dislodging much else, especially when the public sphere is fragile. "
Colm Toibin
Life
Creation
Strange
" You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road. "
Colm Toibin
Style
Writing
Road
" I first went to Barcelona in 1975 after university, and I stayed for three years. I learnt Catalan because that's what everyone speaks in the mountains. They speak English to foreigners, but what people say to each other is much more important than what they say to you. "
Colm Toibin
Speak
You
Important
" I went to live in Barcelona in 1975, when I was twenty. Even before I went there, I knew more about the Spanish Civil War than I did about the Irish Civil War. I liked Barcelona, and then I grew to like a place in the Catalan Pyrenees called the Pillars, especially an area between the village of Flavors and the high mountains around it. "
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Live
Village
War
" It is important to find a publisher and equally important not to be noticed until your third or fourth book. "
Colm Toibin
Book
Your
Important
" People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to. "
Colm Toibin
World
Glamour
Boy
" I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more. "
Colm Toibin
Ireland
Because
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