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" I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what should happen. "
Colm Toibin
Happens
Happen
Ideal
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" I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland. "
Colm Toibin
Violence
Book
Cruelty
" I went to live in Barcelona in 1975, when I was twenty. Even before I went there, I knew more about the Spanish Civil War than I did about the Irish Civil War. I liked Barcelona, and then I grew to like a place in the Catalan Pyrenees called the Pillars, especially an area between the village of Flavors and the high mountains around it. "
Colm Toibin
Live
Village
War
" I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things. "
Colm Toibin
Book
Stories
Think
" I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room. "
Colm Toibin
Work
Pen
I Am
" People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away. "
Colm Toibin
Me
Silence
Writing
" I have to write a first draft with a fountain pen before I type it up as a second. "
Colm Toibin
Write
Pen
Fountain
" Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure. "
Colm Toibin
Strong
Me
Writing
" I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?' "
Colm Toibin
You
America
Race
" People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to. "
Colm Toibin
World
Glamour
Boy
" I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more. "
Colm Toibin
Ireland
Because
More
" 'One Minus One' and 'Barcelona, 1975' are more or less autobiographical. "
Colm Toibin
Autobiographical
Less
Barcelona
" The Roman Catholic Church and its rituals were so much part of life that, although my parents would often question a small matter of dogma and none of us seemed more religious than anyone else, no one ever questioned the rituals or the basic tenets of belief. "
Colm Toibin
Small
Life
Us
" When a book comes from the publisher and you see it for the first time... Of course it's not remotely like seeing a baby for the first time, but I can remember with each book what room I was in when I opened it. That would be excitement, though, I think. Not pride. "
Colm Toibin
Remember
Time
Think
" In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my own belief in Catholic dogma had been shaken and weakened, I found that the beauty and the richness of the art still held me. "
Colm Toibin
Comfort
Belief
Beauty
" While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone. "
Colm Toibin
Work
Time
Know
" Writing tends to be very deliberate. A novelist could probably run a military campaign with some success. They could certainly run a country. "
Colm Toibin
Run
Country
Military
" I still have a stammer that I can control by not opening a sentence with a hard consonant, or by concentrating for a moment, breathing softly down. Growing up, the 'Our Father' was lovely, made for me, the 'Hail Mary' was gorgeous, and 'Glory Be to the Father' was an absolute nightmare. "
Colm Toibin
Control
Moment
Father
" History is a way of interpreting, rather than, say, knowing, the past. It is usually a set of disputes between those who have access to the same sources. It depends on ideology as much as voting in an election does. "
Colm Toibin
History
Voting
Say
" When I was 19, I thought I wanted to be an English civil servant. It was the most exotic thing at the time - can you imagine, in the middle of the IRA bombing campaigns? I saw an ad inviting Irish applicants for an induction course, so I signed up. "
Colm Toibin
Up
Imagine
Irish
" I live in words. I like looking at things, but I don't have a strong visual imagination. "
Colm Toibin
Words
Live
Imagination
" The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one. "
Colm Toibin
I Am
Poetry
Mirror
" The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side. "
Colm Toibin
Go
Fountain
Problem
" You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road. "
Colm Toibin
Style
Writing
Road
" All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much. "
Colm Toibin
Realize
You
Manipulation
" John McGovern taught me that it's OK to write repeatedly about the same things. "
Colm Toibin
Same
Me
OK
" I first went to Barcelona in 1975 after university, and I stayed for three years. I learnt Catalan because that's what everyone speaks in the mountains. They speak English to foreigners, but what people say to each other is much more important than what they say to you. "
Colm Toibin
Speak
You
Important
" I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly. "
Colm Toibin
Child
Work
Sleep
" Between the ages of 8 and 12 it was difficult to know what my father was saying, and he moved very slowly, and then he died. "
Colm Toibin
Know
Saying
Slowly
" I feel just fine about ignoring or bypassing the rights of people I have known and loved to be rendered faithfully, or to be left in peace, and out of novels. "
Colm Toibin
Left
Peace
People
" I suppose one should have an integrated personality, but I've never really seen the point. "
Colm Toibin
Point
Never
Personality