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" It really matters to writers to find and treasure readers, all the more when they're on the other side of the world. "
Colm Toibin
Matters
More
Treasure
Related Quotes:
" I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland. "
Colm Toibin
Violence
Book
Cruelty
" I was first in Sydney in 1993, and have been a few times since then. For someone who didn't know Australia, it came as a shock how intelligent, interesting and funny the people were. If I lived there I might see it differently, but as a visitor it was a lot of fun. "
Colm Toibin
Funny
People
Know
" The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one. "
Colm Toibin
I Am
Poetry
Mirror
" The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side. "
Colm Toibin
Go
Fountain
Problem
" I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what should happen. "
Colm Toibin
Happens
Happen
Ideal
" People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to. "
Colm Toibin
World
Glamour
Boy
" Solitude is good in the evening. Dublin is a quiet city when you get to a certain age, when your friends settle down and have kids. Nothing much happens here. "
Colm Toibin
Age
You
Solitude
" I did think of becoming a priest quite late on, when other boys were thinking of knocking over fences and going out with girls. I would have made a very good bishop: nice housekeeper, nice clothes - god, the clothes. "
Colm Toibin
God
Good
Out
" I'm slightly influenced by sport in that I like the idea of trying, like an athlete, to keep absolutely ready. That's an emotional thing, almost. I don't mean physically, although I play tennis. But you try to keep yourself ready. "
Colm Toibin
Athlete
Play
Trying
" I have to write a first draft with a fountain pen before I type it up as a second. "
Colm Toibin
Write
Pen
Fountain
" Three of my novels and a good number of my short stories are told from the point of view of men. I was brought up in a house of women. "
Colm Toibin
Women
View
Three
" I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and you couldn't write home and tell people, 'Look, I'm really lonely,' because you'd realize how much those letters were going to matter, that you needed to put good news or uplifting news into them. "
Colm Toibin
Good
Home
Yourself
" I think the whole business of people emigrating was that no one ever told them, although everyone knew, especially if it was to the United States, that it was forever, and the party before you left was called an 'American wake,' in the sense that they knew you wouldn't come back. "
Colm Toibin
American
Think
Business
" I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room. "
Colm Toibin
Work
Pen
I Am
" Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure. "
Colm Toibin
Strong
Me
Writing
" When I was 19, I thought I wanted to be an English civil servant. It was the most exotic thing at the time - can you imagine, in the middle of the IRA bombing campaigns? I saw an ad inviting Irish applicants for an induction course, so I signed up. "
Colm Toibin
Up
Imagine
Irish
" I still have a stammer that I can control by not opening a sentence with a hard consonant, or by concentrating for a moment, breathing softly down. Growing up, the 'Our Father' was lovely, made for me, the 'Hail Mary' was gorgeous, and 'Glory Be to the Father' was an absolute nightmare. "
Colm Toibin
Control
Moment
Father
" While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone. "
Colm Toibin
Work
Time
Know
" I suppose one should have an integrated personality, but I've never really seen the point. "
Colm Toibin
Point
Never
Personality
" When a book comes from the publisher and you see it for the first time... Of course it's not remotely like seeing a baby for the first time, but I can remember with each book what room I was in when I opened it. That would be excitement, though, I think. Not pride. "
Colm Toibin
Remember
Time
Think
" My first novel was turned down by about twenty publishers over a period of two and a half years. Because my name is Irish and would not be familiar to English editors, one of them said: 'If she writes anything else, do let us know.' Slowly, very slowly, the books began to sell and be noticed. "
Colm Toibin
Down
Name
Said
" History is a way of interpreting, rather than, say, knowing, the past. It is usually a set of disputes between those who have access to the same sources. It depends on ideology as much as voting in an election does. "
Colm Toibin
History
Voting
Say
" The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize. "
Colm Toibin
Story
Feel
Trying
" Describe character using dialogue. Describe character using what the characters see or do or think, but not what they had done or where they had been. "
Colm Toibin
Character
See
Think
" Life has a funny way of becoming ordinary as soon as it can. "
Colm Toibin
Way
Funny
Life
" I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things. "
Colm Toibin
Book
Stories
Think
" I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly. "
Colm Toibin
Child
Work
Sleep
" In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my own belief in Catholic dogma had been shaken and weakened, I found that the beauty and the richness of the art still held me. "
Colm Toibin
Comfort
Belief
Beauty
" I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner. "
Colm Toibin
Impossible
I Am
Listen
" I first went to Barcelona in 1975 after university, and I stayed for three years. I learnt Catalan because that's what everyone speaks in the mountains. They speak English to foreigners, but what people say to each other is much more important than what they say to you. "
Colm Toibin
Speak
You
Important