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" Europe has been a place of refuge. Why should it stop with black and brown bodies? "
Kehinde Wiley
Stop
Black
Europe
Related Quotes:
" Art in the age of the digital image is completely different from experiencing art in physical form. "
Kehinde Wiley
Art
Image
Digital
" What you have in my work is one person's path as he travels through the world, and there is no limitation of what is conceivable. "
Kehinde Wiley
Path
You
World
" Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with. "
Kehinde Wiley
Unknown
Sit
Deal
" Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic. "
Kehinde Wiley
Off
Creepy
Face
" Portraits are about revealing aspects of an individual. "
Kehinde Wiley
Portraits
Individual
About
" I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level. "
Kehinde Wiley
Remember
Time
Painting
" Artists have been very good at working for the church and for the state; communicating the aspirations of a society. "
Kehinde Wiley
Church
Been
Society
" My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others. "
Kehinde Wiley
Me
Language
Child
" In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle. "
Kehinde Wiley
Black
Work
Men
" I need to open a restaurant, a big soul food restaurant in Beijing! "
Kehinde Wiley
Food
Big
Restaurant
" I think there's something important in going against the grain and perhaps finding value in things that aren't necessarily institutionally recognized. "
Kehinde Wiley
Value
Important
Finding
" The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it. "
Kehinde Wiley
Imagination
Work
Play
" My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria. "
Kehinde Wiley
Go
Family
Texas
" I grew up in South Central Los Angeles in the '80s, back when it just wasn't a cool scene. But my mother had the foresight to look for a number of projects that would keep us away from the streets. "
Kehinde Wiley
Back
Look
Los Angeles
" The language of the heroic is something that has evolved over time. "
Kehinde Wiley
Over
Heroic
Language
" There's something to be said about the art-industrial complex, the collectors who recognize that your work has some sort of future economic value. "
Kehinde Wiley
Work
Value
Said
" There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting. "
Kehinde Wiley
You
Cool
Like
" At its best, what art does is, it points to who we as human beings and what we as human beings value. And if Black Lives Matter, they deserve to be in paintings. "
Kehinde Wiley
Matter
Value
Deserve
" The way we think about a presidential portrait is one that is imbued with dignity from the outset. "
Kehinde Wiley
About
Dignity
Portrait
" So much of the history of painting is the propaganda of self-aggrandizement. "
Kehinde Wiley
Much
History
Painting
" You have to be careful about over-politicizing the utterances of people of colour because, oftentimes, there's poetry that seeks to go beyond that narrative. "
Kehinde Wiley
Colour
People
You
" During 1989, my mother, who was exceedingly good at finding these free programs - you know, we were on welfare, just trying to get through - but she would find these amazing programs. She sent me to the Soviet Union at the age of 12 to go study in the forest of then-Leningrad with 50 other Soviet kids. "
Kehinde Wiley
Me
Good
Forest
" In the field of aesthetic theory, humans are pattern-seeking creatures. That can be seen in terms of musical structures, patternmaking, even in terms of storytelling and literature. "
Kehinde Wiley
Literature
Storytelling
Aesthetic
" What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms. "
Kehinde Wiley
Choice
Own
Celebrate
" Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends. "
Kehinde Wiley
Think
Society
Own
" It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid. "
Kehinde Wiley
Success
Childhood
Struggle
" By and large, most of the work that we see in the great museums throughout the world are populated with people who don't happen to look like me. "
Kehinde Wiley
World
People
Look
" Artists should be able to thrive and allow their ideas to flourish as much as those in biotechnology or finance. "
Kehinde Wiley
Thrive
Ideas
Finance
" Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends. "
Kehinde Wiley
Friends
Know
Light
" What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture. "
Kehinde Wiley
Try
Picture
High