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" There's something to be said about the art-industrial complex, the collectors who recognize that your work has some sort of future economic value. "
Kehinde Wiley
Work
Value
Said
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" I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do. "
Kehinde Wiley
People
Black
Looking
" My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world. "
Kehinde Wiley
Much
World
Production
" During 1989, my mother, who was exceedingly good at finding these free programs - you know, we were on welfare, just trying to get through - but she would find these amazing programs. She sent me to the Soviet Union at the age of 12 to go study in the forest of then-Leningrad with 50 other Soviet kids. "
Kehinde Wiley
Me
Good
Forest
" I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me. "
Kehinde Wiley
Painting
Work
Day
" I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department. "
Kehinde Wiley
Police
Black
Know
" Artists should be able to thrive and allow their ideas to flourish as much as those in biotechnology or finance. "
Kehinde Wiley
Thrive
Ideas
Finance
" Art is about changing what we see in our everyday lives and representing it in such a way that it gives us hope. "
Kehinde Wiley
Hope
Changing
Art
" When you go back to the days when I was studying how to paint, some of the things that excited me most was to go into the Huntington Library and Gardens and to see the amazing pictures of the landed gentry. "
Kehinde Wiley
Amazing
Library
Me
" I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture. "
Kehinde Wiley
Art
Looking
History
" My love affair with painting is bittersweet. "
Kehinde Wiley
Affair
Bittersweet
Painting
" So much of the history of painting is the propaganda of self-aggrandizement. "
Kehinde Wiley
Much
History
Painting
" Painting has the ability to communicate something about the sitter that gets to his essence. "
Kehinde Wiley
Ability
Essence
Painting
" Once I get a project in my head, I start getting really obsessive about it. "
Kehinde Wiley
Get
Once
Start
" Painting from life is a completely different monster, which I like. But because I've been painting from photography for so long, I've learned my best moves from photography. "
Kehinde Wiley
Painting
Life
Long
" The language of the heroic is something that has evolved over time. "
Kehinde Wiley
Over
Heroic
Language
" I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily. "
Kehinde Wiley
Rules
More
Moments
" I understand blackness from the inside out. What my goal is, is to allow the world to see the humanity that I know personally to be the truth. "
Kehinde Wiley
See
Truth
World
" Obama stands as a signal that this nation will continue to redefine what it means to push beyond the borders of what's possible. "
Kehinde Wiley
Push
Beyond
Nation
" At the core, every artist, no matter what his subject matter happens to be, has to be someone doing the looking. I began to really interrogate the act of looking. "
Kehinde Wiley
Doing
Artist
Looking
" What you have in my work is one person's path as he travels through the world, and there is no limitation of what is conceivable. "
Kehinde Wiley
Path
You
World
" This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures. "
Kehinde Wiley
Hip-Hop
Performance
Masculinity
" It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid. "
Kehinde Wiley
Success
Childhood
Struggle
" I taught myself to paint African-Americans, mostly people roughly my skin tone. "
Kehinde Wiley
Paint
Skin
People
" We all look at the same object in different ways. "
Kehinde Wiley
Look
Different
Ways
" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated
" My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria. "
Kehinde Wiley
Go
Family
Texas
" If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world. "
Kehinde Wiley
Love
History
Myself
" In a sense, we are all victims of the misogyny and racism that exist in the world, no matter what our gender or race happens to be. "
Kehinde Wiley
World
Matter
Our
" In the end, what I'm trying to say as a person who does all this travel and fashions these images is that you arrive at an approximate location but never one destination. "
Kehinde Wiley
End
Destination
You
" It's so easy just to see the one-to-one narrative between presence and non-presence. "
Kehinde Wiley
Just
See
Easy