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" The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it. "
Kehinde Wiley
Imagination
Work
Play
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" I rarely meet a lot of the people who buy and collect my work. "
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" Art is about changing what we see in our everyday lives and representing it in such a way that it gives us hope. "
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" It's so easy just to see the one-to-one narrative between presence and non-presence. "
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" Painting does more than just point to things. The very act of pointing is a value statement. "
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" The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside. "
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" So much of the history of painting is the propaganda of self-aggrandizement. "
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" If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world. "
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Love
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" The language of the heroic is something that has evolved over time. "
Kehinde Wiley
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" I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily. "
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" The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that. "
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President
Ability
Better
" What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms. "
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Choice
Own
Celebrate
" My love affair with painting is bittersweet. "
Kehinde Wiley
Affair
Bittersweet
Painting
" For years, I've been painting black men as a way to respond to the reality of the streets. I've asked black men to show up in my studio in the clothes that they want to be wearing. And often times, those clothes would be the same trappings people would see on television and find menacing. "
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People
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" There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and reaching towards those standards. "
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Slavery
Best
Gender
" My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken. "
Kehinde Wiley
Truth
Style
Painting
" Artists have been very good at working for the church and for the state; communicating the aspirations of a society. "
Kehinde Wiley
Church
Been
Society
" It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid. "
Kehinde Wiley
Success
Childhood
Struggle
" I came from a background where access to museum culture was rarely granted, and, when you got it, people wondered what the hell you were doing there. "
Kehinde Wiley
People
Hell
You
" I think it would be really interesting to paint Obama. "
Kehinde Wiley
Paint
Interesting
I Think
" What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body. "
Kehinde Wiley
American
Black
Body
" In the field of aesthetic theory, humans are pattern-seeking creatures. That can be seen in terms of musical structures, patternmaking, even in terms of storytelling and literature. "
Kehinde Wiley
Literature
Storytelling
Aesthetic
" The way we think about a presidential portrait is one that is imbued with dignity from the outset. "
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About
Dignity
Portrait
" In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle. "
Kehinde Wiley
Black
Work
Men
" I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do. "
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People
Black
Looking
" Painting from life is a completely different monster, which I like. But because I've been painting from photography for so long, I've learned my best moves from photography. "
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Painting
Life
Long
" By and large, most of the work that we see in the great museums throughout the world are populated with people who don't happen to look like me. "
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World
People
Look
" During 1989, my mother, who was exceedingly good at finding these free programs - you know, we were on welfare, just trying to get through - but she would find these amazing programs. She sent me to the Soviet Union at the age of 12 to go study in the forest of then-Leningrad with 50 other Soviet kids. "
Kehinde Wiley
Me
Good
Forest
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" Art in the age of the digital image is completely different from experiencing art in physical form. "
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Art
Image
Digital
" My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others. "
Kehinde Wiley
Me
Language
Child