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" Every time I am directing, I question why in God's name I'm doing it again. It's like hitting yourself in the forehead with a hammer. "
Sydney Pollack
Name
Time
Yourself
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" I haven't broken any new ground in the form of a film. "
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" When you make a film you usually make a film about an idea. "
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" There will be people who are sensitive about seeing the American point of view presented as less than sympathetic. "
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" Each time I make a movie, it's a little bit like taking another course in something because there's an argument between these people that I don't necessarily have an answer to. "
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" This thing called chemistry, which I can't define and wouldn't know how to, either works or it doesn't. Sometimes a love story can involve very talented actors, but we are not invested emotionally in whether they end up together. "
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" South Bend is a nice town, but you know that phrase - 'I was homesick even when I was home.' "
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" Stars are like thoroughbreds. Yes, it's a little more dangerous with them. They are more temperamental. You have to be careful because you can be thrown. But when they do what they do best - whatever it is that's made them a star - it's really exciting. "
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Star
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Yes
" I learned that creativity is all about being frustrated. "
Sydney Pollack
Learned
Being
About
" We progress by leaps and bounds technologically, medically - we can live longer, we can... but you know, in the year 1230, they knew as much as we know now about the human heart. "
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Heart
Know
Live
" If you list the qualities that we consider feminine, they are patience, understanding, empathy, supportiveness, a desire to nurture. Our culture tells us those are feminine traits, but they're really just human. "
Sydney Pollack
Empathy
Patience
Culture
" When I work, I think mainly in terms of dramatic choices. "
Sydney Pollack
Choices
Dramatic
I Think
" At every premiere, I stand in the back, I never sit, worrying. And then maybe I hear them laugh or whatever, and the muscles unclench a little. But always, I feel like it's a fluke, that I'll never be able to do it again. "
Sydney Pollack
Back
Stand
Never
" We talked about Tootsie, the idea in Tootsie is that a man becomes a better man for having been a woman. "
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Better Man
Woman
Been
" You are not an active creator of the film. "
Sydney Pollack
Film
Active
Creator
" What's overwhelmingly clear is 'Havana' didn't work for people, but why it didn't work I don't feel I can put my finger on in a way I can learn from. "
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People
Work
Way
" I mean, movies are like your kids or your fingers and toes or something, it's pretty hard to pick favorites. "
Sydney Pollack
Your
Like
Hard
" For reasons which I can't logically explain, in all of the films I've done, I've ended up doing love stories of one kind or another, and it seems to me that love stories are extremely dependent on the obstacles you can place between the lovers. There is no love story without it. "
Sydney Pollack
Obstacles
Love
Me
" If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture. "
Sydney Pollack
Light
People
Time
" If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form. "
Sydney Pollack
People
Wonder
Think
" I don't have a style. I've never thought of myself as a stylist like the visual stylists I admire enormously - Adrian Lyne, Ridley Scott, Alan Parker - in which every shot has a great idea in them. "
Sydney Pollack
Admire
Great
Style
" It would be a great vacation to act in a movie if I weren't directing it. But to do it while you're directing interferes with your concentration, and I wouldn't do that again. "
Sydney Pollack
Concentration
Great
Vacation
" When you first start out, you want to be Fellini, or you want to be Bergman. "
Sydney Pollack
Out
Bergman
Start
" I don't care much about acting. "
Sydney Pollack
Acting
About
Much
" The marketing of anything is full of exploitation and lies and hype. "
Sydney Pollack
Marketing
Lies
Anything
" Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not. "
Sydney Pollack
Enough
Decisions
You
" And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing. "
Sydney Pollack
Knowing
Me
Real
" I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form. "
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Film
You
Think
" Compliments aren't really a journalistic angle. "
Sydney Pollack
Journalistic
Really
Angle
" It was a different time in the 1970s. Movies didn't have to make as much money. "
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Different
Movies
Money