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" Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself. "
Ira Sachs
You
Decisions
World
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" I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things. "
Ira Sachs
Film
Way
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" I started making movies in the early '90s, a few years after I discovered 'the cinema' during a three month stay in Paris during which I watched 100s of films. "
Ira Sachs
Early
Paris
Cinema
" I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them. "
Ira Sachs
Camera
Create
You
" New York grabbed me too hard, as did adulthood. "
Ira Sachs
New
Adulthood
Me
" I've always been interested in how the individual comes to know and accept him or herself, which I think has been hard for me. "
Ira Sachs
Think
Know
Hard
" Secrets make for good drama, and revealing the hidden truths and contradictions of life is, for me, one of the most exciting aspects of making movies. "
Ira Sachs
Movies
Me
Life
" Everyone wants to belong, and everyone needs to belong in order to make a career on some level. "
Ira Sachs
Career
Order
Level
" You can understand why good publicists go on to run distribution companies: because the creativity involved is complex and nuanced. "
Ira Sachs
You
Creativity
Understand
" I think there's a fear of difference in American cinema. "
Ira Sachs
Think
I Think
Fear
" Intimacy is something to be cherished, and intimacy is not something to be afraid of. "
Ira Sachs
Cherished
Something
Afraid
" I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time. "
Ira Sachs
New York
Gay
Time
" For gay people, we learned about our lives in secrecy and a lot of fear. "
Ira Sachs
Learned
Gay
Our
" I've made four films about the destructive nature of relationships, of secrets and lies, and I think I'm no longer interested in that subject - which is a wonderful relief. "
Ira Sachs
Secrets
Think
Nature
" I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way. "
Ira Sachs
Way
Think
Start
" By 15, I was lucky enough to find the theater. "
Ira Sachs
Theater
Lucky
Find
" All of my films have been autobiographical - it's all I've got to go on. "
Ira Sachs
Go
Films
Been
" Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York. "
Ira Sachs
Me
People
Gay
" Everything encourages you not to tell stories of gay lives. There is no economy yet for that kind of cinema. "
Ira Sachs
Gay
Cinema
Economy
" By 1988, I was living in New York myself. "
Ira Sachs
York
New York
New
" Without community events like NewFest, I don't think we'd have a queer cinema in America. "
Ira Sachs
Think
Like
Community
" Suspense films are often based on communication problems, and that affects all of the plot points. It almost gives it kind of a fable feeling. "
Ira Sachs
Feeling
Problems
Kind
" I'm not interested in a film about deceit anymore. I think I was always invested in deceit on some level. But it no longer compels me the way it did for so many years. "
Ira Sachs
Think
Me
Way
" Every film is hard to fund. "
Ira Sachs
Every
Hard
Fund
" I find the stuff that is exciting to me are the films coming out of Taiwan and Iran and France. So I have the feeling I'm not making the films that American distributors want to make. "
Ira Sachs
Find
Want
Out
" You can be aware of the passing of time without being nostalgic. "
Ira Sachs
Time
You
Passing
" I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly star struck, and not having the courage to say, 'Hello.' "
Ira Sachs
Courage
Hello
Remember
" My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight. "
Ira Sachs
Three
Sight
City
" Capturing intimacy is pretty much the only thing I'm interested in. That's what excites me and what I find beautiful in movies personally - that almost obscene sense that we shouldn't be this close to these people. I find that very inviting and meaningful as an audience member. "
Ira Sachs
Me
Movies
People
" One of the biggest things that happens to many people when they have kids is that you suddenly realize that you're not going to last forever. You know there is another generation who are the heroes of their own stories, and that is humbling. "
Ira Sachs
Generation
Know
You
" I realize I have strength as an artist and professional by embracing my difference instead of what makes me the same. "
Ira Sachs
Strength
Same
Professional