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" There are fewer representations of black figures in the historical record. "

Kerry James Marshall

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" You can't be born in Birmingham, Alabama, in 1955 and grow up in South Central near the Black Panthers headquarters and not feel like you've got some kind of social responsibility. "

Kerry James Marshall

" In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was always weak, powerless, subjugated. If you see these images all the time, they become commonplace, and they no longer become a spectacular or sensational thing. "

Kerry James Marshall

" Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential. "

Kerry James Marshall

" Every step on my way to becoming an artist seemed preordained. The right people were always in the right places at the right times to boost me to the next level. I was fortunate to be selected for a summer drawing class offered to teens at the Otis Art Institute of Los Angeles County. "

Kerry James Marshall

" People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy. "

Kerry James Marshall

" You don't see black people winning Nobel prizes for physics or economics or any of the industries or institutions that shape the way the world operates. "

Kerry James Marshall

" You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world. "

Kerry James Marshall

" At a certain point, you have to decide whether you'd be satisfied always acknowledging the beauty and the greatness of what other people create or if you want to be in the same arena. "

Kerry James Marshall

" My dream was always to be in museums. It's a big and important milestone and a fulfillment of one of my primary ambitions. "

Kerry James Marshall

" If you ever find yourself on a boat in the middle of the ocean, you look around in every direction and don't see anything. That's a terrifying experience. "

Kerry James Marshall

" One of the reasons I paint black people is because I am a black person. "

Kerry James Marshall

" The National Gallery is the place that means to represent everything that's good and important in art and show what it believes everyone who is a citizen should recognize and engage. "

Kerry James Marshall

" My ambition was never to make a lot of money. It wasn't to travel around the world. I was really just struggling to make the best pictures I could make. "

Kerry James Marshall

" I gave up on the idea of making art a long time ago, because I wanted to know how to make paintings; but once I came to know that, reconsidering the question of what art is returned as a critical issue. "

Kerry James Marshall

" Working from live models is too much trouble; it takes too much time. "

Kerry James Marshall

" When I go to the movies, I'm expected to identify with all of the characters, and most of them are white. But when you put a black character in there, somehow the white audience isn't expected to identify with them. That's a problem. "

Kerry James Marshall

" As a black person, I'm used to going to places in which I might be the only black person that shows up there. This experience has an effect on the way you see yourself in the world and what it means to be black in the world. "

Kerry James Marshall

" There's this idea that many of the attitudes and personality developments in black folks in the diaspora are a consequence of this unresolved trauma. There have been attempts by black artists to try and figure out how to represent that in some kind of way. "

Kerry James Marshall

" For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people. "

Kerry James Marshall

" To me, if there is any sort of value added to the accumulation of knowledge over time, then the work of artists should be a reflection of that accumulated value, accumulated knowledge. You have to demonstrate that you have the sophistication to put that into play in the work you're making. "

Kerry James Marshall

" Artwork operates on two different levels: On one level, there's artwork as a mode of expressivity, and then there's the other side, where the image is a construction that is meant to engage in a discursive field in order to perform a particular function. "

Kerry James Marshall

" The revision of any kind of established model is always a political act. "

Kerry James Marshall

" I see life and the world simply as an arena for competition. That's just what people do, and there are always going to be winners and losers. "

Kerry James Marshall

" I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences. "

Kerry James Marshall

" Abstraction and representation are supposed to be going down two very different paths, one sociological and the other aesthetic. "

Kerry James Marshall

" My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at. "

Kerry James Marshall

" I don't want the pictures to mean things. But the implication of the image and its relationship to the people that are viewing it is something I'm really interested in. "

Kerry James Marshall

" If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot. "

Kerry James Marshall

" Clarity is important. Part of what I'm trying to do with some of these pictures is eliminate as much of the potential, as many kind of readings as people might want to make, as possible. "

Kerry James Marshall

" If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures. "

Kerry James Marshall