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" I don't know if my faith stems from what I'd call unconditional love, but the energy certainly feels boundless. "
Stacey D'Erasmo
Feels
Faith
Know
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" The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus. "
Stacey D'Erasmo
Beautiful
Ambition
Moment
" I'm embarrassed to reveal that I never went to CBGB's in the '80s. I was never cool enough to be a punk, and I wouldn't have had the stamina, or the discipline, for straight-edge. "
Stacey D'Erasmo
Punk
Cool
Never
" In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began. "
Stacey D'Erasmo
Career
Art
Broken
" What is the distance between here and there, between now and then, between right and wrong? In Greg Baxter's pellucid first novel, 'The Apartment,' it may be simply the length of a day - but a day in which one travels surprisingly far, literally and figuratively. "
Stacey D'Erasmo
Day
Wrong
Right
" You can get anything online, including things that don't even exist. We've invented our own collective unconscious. The normal rules of time and space don't apply. It's held together by some other force than gravity. It's endless. It's like some unimaginably huge, messy novel that's writing itself both with and without us. "
Stacey D'Erasmo
Space
Together
Rules
" 'The Girls,' by Lori Lansens, is a ballad, a melancholy song of two very strange, enchanted girls who live out their peculiar, ordinary lives in a rural corner of Canada. "
Stacey D'Erasmo
Song
Canada
Corner
" Historians of European royalty have written of the king's 'two bodies' : one mortal and corrupt; the other divine, abstract and timeless. "
Stacey D'Erasmo
Royalty
Two
King
" There is no such thing as a natural fit between form and content. Seamless elegance would be tantamount to erasure. "
Stacey D'Erasmo
Elegance
Content
Fit
" Music is quicksilver, gossamer; careers are measured in butterfly lifetimes. "
Stacey D'Erasmo
Butterfly
Measured
Careers
" I'm a huge fan of San Francisco. And I was out here for a couple years in the mid-'90s when I was a Wallace Stegner Fellow at Stanford. "
Stacey D'Erasmo
Years
Out
San Francisco
" I was influenced by big, strong voices - writers like Elizabeth Bowen, Virginia Woolf, Jane Bowles; gay writers like Ed White, Michael Cunningham, Allen Hollinghurst; and contemporary lesbian writers, like Dorothy Allison. "
Stacey D'Erasmo
Like
Big
Gay
" The knot of intimacy at the center of 'Ten Thousand Saints' is the friendship between Teddy McNicholas and Jude Keffy-Horn. "
Stacey D'Erasmo
Center
Intimacy
Teddy
" Prior to the institutionalization of standard time, clocks were set using local meridians or local mean time, and they varied widely. "
Stacey D'Erasmo
Set
Mean
Local
" Visibility is a tricky thing; is someone visible when you can point her out in a crowd, or when you understand what her life feels like to her? "
Stacey D'Erasmo
Her
Life
Out
" Fiction, at its best, is a radical act of intimacy. It seeks to join, to merge, to know deeply; and, as with intimacy, there is a way in which it cannot be faked. "
Stacey D'Erasmo
Radical
Act
Best
" All writers are magpies, right? We're always stealing bits from different places and then weaving them into our little nest. "
Stacey D'Erasmo
Always
Stealing
Right
" One of the many pleasures of 'Versailles' is the way in which it seems to emanate not only from the vexed inner being of Marie Antoinette but from the interstices between what we imagine of her and what she was. "
Stacey D'Erasmo
She
Only
Imagine
" A lot of times, really wonderful things that have come my way have come basically out of the blue. "
Stacey D'Erasmo
Wonderful
Way
Things
" The second time is the one we remember, where memory begins. Putting the moments in order is only half the story. What matters is the weight of the moments as they accumulate. "
Stacey D'Erasmo
Memory
Time
Story
" Writers and musicians are very similar in that the chances of making a life in either field are so infinitesimal. And once you're in, the chances of staying viable are difficult. But there is something incredibly different about performing in front of a live audience, as opposed to sitting at your desk typing. "
Stacey D'Erasmo
Live
You
Life
" For the Supreme Court, the right for everyone to say 'I do' is where the story ends, but for artists, it's where the story just starts to get interesting. "
Stacey D'Erasmo
Interesting
Supreme Court
Story
" Readers, like writers, are essentially amoral. Arm's length will never do. We want to get closer. "
Stacey D'Erasmo
Arm
Like
Never
" Emotional grandeur, rendered in the vernacular, has been Mona Simpson's forte. In her novels, 'Anywhere but Here,' 'The Lost Father' and 'A Regular Guy,' Simpson wrote wide and long and high about the most profound human bonds: parents and children lost each other, found each other, lost each other again, but differently. "
Stacey D'Erasmo
Lost
Long
Parents
" There are more clocks than ever - clocks on computers, on cell phones, on televisions, on any screen available, telling time to the digital second - but they all seem to matter less. "
Stacey D'Erasmo
Digital
Matter
Phones
" In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated. "
Stacey D'Erasmo
Never
Her
Distance
" As for me, I've been in love with women and men. I get how people fall in love with different kinds of people, but to fall in love with God: I didn't get that. "
Stacey D'Erasmo
God
Love
Men
" Reading 'The Third Sex' feels a bit like flying in a veering helicopter over a rain forest that is disappearing before one's eyes. "
Stacey D'Erasmo
Eyes
Rain
Flying
" The spirits of Havelock Ellis, Magnus Hirschfeld and Richard Freiherr von Krafft-Ebbing waft through the text to lend 'The Third Sex' an air of scientific authority. "
Stacey D'Erasmo
Authority
Air
Spirits
" In 1976, divorce could still raise eyebrows, as could a woman's decision not to have children. Dyslexia wasn't as commonly recognized then, and thus not treated as it is today. "
Stacey D'Erasmo
Decision
Woman
Today
" A lot of first novels are coming-of-age stories. A lot are autobiographical. "
Stacey D'Erasmo
Autobiographical
First
Stories