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" I don't like acrylic because you can't get the density of color. And with each coat of oil paint, the surface gets better and richer. "

Ellsworth Kelly

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" I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room. "

Ellsworth Kelly

" I don't like mixed colors that much, like plum color or deep, deep colors that are hard to define. "

Ellsworth Kelly

" Shape and color are my two strong things. And by doing this, drawing plants has always led me into my paintings and my sculptures. "

Ellsworth Kelly

" Time has always been very important in my work. "

Ellsworth Kelly

" I sometimes don't try to invent something. I wait for some kind of a direction - and it happens. I get an angle, for instance, and it just appears, and I say, 'Oh my God - that's it!' "

Ellsworth Kelly

" I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal space. "

Ellsworth Kelly

" I just feel like I can live on. I hope I can reach 100. I think today if you just keep doing, keep working, that - maybe that's possible. "

Ellsworth Kelly

" My earliest drawing is a supposed Carracci. It wasn't very expensive, I guess, because they don't know if it's a real Carracci. But it has all these seals on it of people who've owned it, and one of the great portrait painters of England, Reynolds, had owned it, so that's the earliest. "

Ellsworth Kelly

" I have a sort of inner sense for scale. "

Ellsworth Kelly

" The paintings to me are always canvas; sculpture has always been metal, though I have made sculpture in wood, also. "

Ellsworth Kelly

" When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything. "

Ellsworth Kelly

" Geometry is moribund. I want a lilt and joy to art. "

Ellsworth Kelly

" My ideas come, wh-pheww. And I draw. Just recently, when I'm searching for ideas for paintings and sculptures, I wait for ideas, and it's always visual. "

Ellsworth Kelly

" Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it. "

Ellsworth Kelly

" I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes. "

Ellsworth Kelly

" I like silence. "

Ellsworth Kelly

" Shading is more like copying. And certainly I do copy, but I'm making drawings, and I'm not trying to make them with the shading. "

Ellsworth Kelly

" I only like artists older than myself. Time is so important. It's always been the same way, I guess. "

Ellsworth Kelly

" In Boston, I developed my eye from the drawing. In Paris, I was fascinated by what my eye saw in the way that Paris is built, its 'measure.' "

Ellsworth Kelly

" My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them. "

Ellsworth Kelly

" I've always wanted... I wanted to give people joy. "

Ellsworth Kelly

" I'm not an Expressionist. I love to look at de Kooning, but I've got this kind of secret life, and that is something that pleases me. I have to try and make something out of it. "

Ellsworth Kelly

" All my work begins with drawings. "

Ellsworth Kelly

" All my work comes from perceiving. I kept seeing things that were brooding in me. I'm not a geometric artist. "

Ellsworth Kelly

" I did not want windows, only skylights. I chose my painting wall as it has the best morning light. "

Ellsworth Kelly

" All my paintings are usually done in drawing form, very small. I make notations in drawings first, and then I make a collage for color. But drawing is always my notation. "

Ellsworth Kelly

" I don't labor over my drawings. I want to get freedom in the line. "

Ellsworth Kelly

" I learned my color in Europe. I've always been a colorist, I think. I started when I was very young, being a bird-watcher, fascinated by the bird colors. "

Ellsworth Kelly

" In Paris in the late '40s, I started making my first reliefs. They are separate panels. I wanted to do something coming out of the wall, almost like a collage. I did a lot of white reliefs when I started because I liked antique reliefs, really old stuff. "

Ellsworth Kelly

" I was taught to draw very well when I was in school at Boston. And I grew to enjoy drawing so much that I never stopped. "

Ellsworth Kelly