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" I don't want the pictures to mean things. But the implication of the image and its relationship to the people that are viewing it is something I'm really interested in. "
Kerry James Marshall
People
Want
Pictures
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" You can't be born in Birmingham, Alabama, in 1955 and grow up in South Central near the Black Panthers headquarters and not feel like you've got some kind of social responsibility. "
Kerry James Marshall
Responsibility
Black
Feel
" The invention of the African American, or the Haitian or Jamaican, is a consequence of the transatlantic slave trade. "
Kerry James Marshall
Invention
Trade
Slave
" Paintings don't just happen. I am not a proponent of the idea of an artist as someone who kind of magically makes things and has no real control or isn't willfully producing a certain kind of thing. It is labor-intensive, and it is research-intensive. You are making one decision after another, trying to get at something you think is important. "
Kerry James Marshall
Decision
You
I Am
" People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy. "
Kerry James Marshall
Music
Black
Culture
" I stumbled upon Charles White purely by chance while looking through a book 'Great Negroes, Past and Present' in the library at Forty-Ninth Street Elementary School in South-Central Los Angeles. I was in the fifth grade. "
Kerry James Marshall
School
Great
Book
" Working from live models is too much trouble; it takes too much time. "
Kerry James Marshall
Live
Time
Trouble
" I don't believe in hope. I believe in action, if I'm an apostle of anything: There are always going to be complications, but to a large degree, everything is in your hands. "
Kerry James Marshall
Hands
Action
Hope
" If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot. "
Kerry James Marshall
Matters
White
Time
" If you ever find yourself on a boat in the middle of the ocean, you look around in every direction and don't see anything. That's a terrifying experience. "
Kerry James Marshall
Look
Yourself
Boat
" Blackness has always been stigmatised, even amongst black people who flee from the density of that blackness. Some black people recoil from black people who are that dark because it has always been stigmatised. "
Kerry James Marshall
Because
Always
Black
" My ambition was never to make a lot of money. It wasn't to travel around the world. I was really just struggling to make the best pictures I could make. "
Kerry James Marshall
Best
Money
Travel
" You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world. "
Kerry James Marshall
World
Yourself
You
" For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people. "
Kerry James Marshall
Black
Dark
Night
" For black people, everything we do has to be ratified and endorsed by a power structure that is white. And that reinforces a kind of racial hierarchy where whiteness is the privileged position to be in, and ethnicity is problematic. "
Kerry James Marshall
White
Kind
People
" A close friend of mine described me as a radical pragmatist. I embrace this no-nonsense distinction wholeheartedly. It is a character trait that matches the sense of myself I've had from as far back as I can remember. I am not one who goes in much for magical thinking. I don't believe in destiny, fate, or things like divine guidance, either. "
Kerry James Marshall
Destiny
I Am
Myself
" There are fewer representations of black figures in the historical record. "
Kerry James Marshall
Historical
Record
Black
" The history of political movements in the African diaspora is that the solution to the problem is never in the hands of people who are advancing the movement. I try and operate on my own terms. "
Kerry James Marshall
Problem
Political
History
" There's nothing more special than intellect and labour that makes painting work. There's no magic there; it's information, and it's work. "
Kerry James Marshall
Magic
Information
Work
" There's this idea that many of the attitudes and personality developments in black folks in the diaspora are a consequence of this unresolved trauma. There have been attempts by black artists to try and figure out how to represent that in some kind of way. "
Kerry James Marshall
Kind
Black
Try
" People don't really want to hear me say this, but a black person who will give a million dollars to the Museum of Modern Art but won't give a million to the Studio Museum in Harlem is simply mistaken. "
Kerry James Marshall
Me
Black
Art
" I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences. "
Kerry James Marshall
White
Great
Legacy
" One of the reasons I paint black people is because I am a black person. "
Kerry James Marshall
People
Black
Am
" The revision of any kind of established model is always a political act. "
Kerry James Marshall
Kind
Revision
Political
" Clarity is important. Part of what I'm trying to do with some of these pictures is eliminate as much of the potential, as many kind of readings as people might want to make, as possible. "
Kerry James Marshall
People
Trying
Important
" You don't see black people winning Nobel prizes for physics or economics or any of the industries or institutions that shape the way the world operates. "
Kerry James Marshall
Black
See
You
" Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential. "
Kerry James Marshall
Look
You
Work
" If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures. "
Kerry James Marshall
See
You
Think
" When art works travel from place to place, what you have is the opportunity to engage with the intellect of another person who has made a thing that should have enough information in it in the way it's constructed to start thinking about why that picture got made - not why it is relevant to you. "
Kerry James Marshall
Travel
Opportunity
Art
" Abstraction and representation are supposed to be going down two very different paths, one sociological and the other aesthetic. "
Kerry James Marshall
Two
Different
Paths
" Artwork operates on two different levels: On one level, there's artwork as a mode of expressivity, and then there's the other side, where the image is a construction that is meant to engage in a discursive field in order to perform a particular function. "
Kerry James Marshall
Construction
Two
Side