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" I think folks who are resistant to engaging in art become less so once they encounter art that really reflects them. "
Lynn Nottage
Think
Engaging
Become
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" I feel like 'Sweat' arrived on Broadway at the moment that it needed to. I feel like a commercial audience was not prepared for 'Ruined' or 'Intimate Apparel' for many different reasons. "
Lynn Nottage
Moment
Broadway
Sweat
" I find my characters and stories in many varied places; sometimes they pop out of newspaper articles, obscure historical texts, lively dinner party conversations and some even crawl out of the dusty remote recesses of my imagination. "
Lynn Nottage
Party
Imagination
Dinner
" There were not a lot of women in the theater department - it was really run by men, and so the message was that women can be onstage, but women can't really be backstage. "
Lynn Nottage
Run
Men
Message
" What I often do when I'm writing, if I can't find that story, I go out and I hunt for it. "
Lynn Nottage
Find
Go
Hunt
" It's very important for me to have dialogues across racial lines. "
Lynn Nottage
Racial
Me
Very
" I would like there to be gender equity. I would like the Broadway season to reflect sort of the demographic of the country. "
Lynn Nottage
Equity
Gender
Reflect
" The act of saying what you do helps shape you as an artist. "
Lynn Nottage
Saying
Act
Helps
" Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs. "
Lynn Nottage
Now
Protect
Used
" I was really interested in the way in which poverty and economic stagnation were transforming and corrupting the American narrative. "
Lynn Nottage
Which
Way
Poverty
" I think sometimes you need distance to reflect. "
Lynn Nottage
Sometimes
Distance
You
" We live in a global society, and I don't think we can talk about, quote unquote, 'American themes' anymore. "
Lynn Nottage
American
Live
Society
" A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.' "
Lynn Nottage
Small
Revolution
Me
" When you're fighting for an increasingly smaller portion of the pie, you turn against each other; you create reasons to hate each other. "
Lynn Nottage
You
Turn
Create
" The people sometimes who are closest to us are the ones who bear the brunt of our frustration. "
Lynn Nottage
Bear
Us
Sometimes
" Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson. "
Lynn Nottage
Start
Writing
Music
" 'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.' "
Lynn Nottage
Saying
Great
Play
" It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway. "
Lynn Nottage
Only
Work
Struggle
" I try to be led by my curiosity. "
Lynn Nottage
Try
Curiosity
Led
" When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes. "
Lynn Nottage
Men
America
Angry
" The essence of creativity is to look beyond where you can actually see. I don't want to dwell in same place too long. "
Lynn Nottage
Long
You
Want
" I'm interested in people who are dwelling outside the mainstream. And very often, those people happen to be woman of color. "
Lynn Nottage
Outside
Happen
Woman
" If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white. "
Lynn Nottage
Looking
White
You
" I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless. "
Lynn Nottage
People
Talking
Us
" I've been asked a lot why didn't 'Ruined' go to Broadway. It was the most successful play that Manhattan Theatre Club has ever had in that particular space, and yet we couldn't find a home on Broadway. "
Lynn Nottage
Play
Theatre
Home
" The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller. "
Lynn Nottage
Love
Political
Person
" I teach at Columbia, and I'm always looking for books I can lose myself in during the 45 minutes I'm on the train. "
Lynn Nottage
Myself
Train
I Can
" African American women in particular have incredible buying power. Statistically, we go to the movies more than anyone. We have made Tyler Perry's career. His films open with $25 million almost consistently. "
Lynn Nottage
Movies
American
Career
" I do see myself as an old-fashioned storyteller. But there's always a touch of the political in my plays. "
Lynn Nottage
Myself
Touch
See
" Winning the second Pulitzer firmly places me in conversation with this culture. "
Lynn Nottage
Culture
Conversation
Winning
" I always describe race as the final taboo in American theatre. There's a real reluctance to have that conversation in an open, honest way on the stage. "
Lynn Nottage
Conversation
Theatre
Race