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" I grew up in this weird, educationally elite but economically impoverished environment. Total 'Oprah' story. "
Kehinde Wiley
Elite
Environment
Up
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" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated
" At its best, what art does is, it points to who we as human beings and what we as human beings value. And if Black Lives Matter, they deserve to be in paintings. "
Kehinde Wiley
Matter
Value
Deserve
" During 1989, my mother, who was exceedingly good at finding these free programs - you know, we were on welfare, just trying to get through - but she would find these amazing programs. She sent me to the Soviet Union at the age of 12 to go study in the forest of then-Leningrad with 50 other Soviet kids. "
Kehinde Wiley
Me
Good
Forest
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends. "
Kehinde Wiley
Friends
Know
Light
" Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation. "
Kehinde Wiley
Also
Fashion
Nation
" I think it would be really interesting to paint Obama. "
Kehinde Wiley
Paint
Interesting
I Think
" If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world. "
Kehinde Wiley
Love
History
Myself
" I need to open a restaurant, a big soul food restaurant in Beijing! "
Kehinde Wiley
Food
Big
Restaurant
" I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily. "
Kehinde Wiley
Rules
More
Moments
" In the end, what I'm trying to say as a person who does all this travel and fashions these images is that you arrive at an approximate location but never one destination. "
Kehinde Wiley
End
Destination
You
" My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria. "
Kehinde Wiley
Go
Family
Texas
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" At the core, every artist, no matter what his subject matter happens to be, has to be someone doing the looking. I began to really interrogate the act of looking. "
Kehinde Wiley
Doing
Artist
Looking
" There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible. "
Kehinde Wiley
Be True
Beautiful
Painting
" What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body. "
Kehinde Wiley
American
Black
Body
" When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art as a provocation. I think I am at my best when I push myself into a place where I don't have all the answers. "
Kehinde Wiley
Best
Myself
Place
" I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level. "
Kehinde Wiley
Remember
Time
Painting
" I thought I'd be a chef by night and paint by day. Now I just have fabulous dinner parties. "
Kehinde Wiley
Chef
Day
Thought
" My interest is in completing an image that is spectacular beyond belief. My fidelity is to the image and the art and not to the bragging rights of making every stroke on every flower. I'm realistic. "
Kehinde Wiley
Flower
Image
Belief
" Obama stands as a signal that this nation will continue to redefine what it means to push beyond the borders of what's possible. "
Kehinde Wiley
Push
Beyond
Nation
" We all look at the same object in different ways. "
Kehinde Wiley
Look
Different
Ways
" It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting. "
Kehinde Wiley
Painting
Surprise
New York
" I taught myself to paint African-Americans, mostly people roughly my skin tone. "
Kehinde Wiley
Paint
Skin
People
" What you have in my work is one person's path as he travels through the world, and there is no limitation of what is conceivable. "
Kehinde Wiley
Path
You
World
" I've jokingly painted some of my favorite collectors as black men, so there's a really great portrait of David LaChapelle, the photographer - my version of him - that's in his collection. "
Kehinde Wiley
Men
Great
Portrait
" When you go back to the days when I was studying how to paint, some of the things that excited me most was to go into the Huntington Library and Gardens and to see the amazing pictures of the landed gentry. "
Kehinde Wiley
Amazing
Library
Me
" My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked. "
Kehinde Wiley
Age
Art
Painting
" It's sad, the enslavement of the black underclass to designer labels - we're an age that cares more about Versace than Vermeer. "
Kehinde Wiley
Black
Cares
Age
" So much of the history of painting is the propaganda of self-aggrandizement. "
Kehinde Wiley
Much
History
Painting