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" My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked. "
Kehinde Wiley
Age
Art
Painting
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" By and large, most of the work that we see in the great museums throughout the world are populated with people who don't happen to look like me. "
Kehinde Wiley
World
People
Look
" It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting. "
Kehinde Wiley
Painting
Surprise
New York
" What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body. "
Kehinde Wiley
American
Black
Body
" Europe has been a place of refuge. Why should it stop with black and brown bodies? "
Kehinde Wiley
Stop
Black
Europe
" In America , there's a just-add-water reality TV world in which people expect to get their Warholian 15 minutes of fame. "
Kehinde Wiley
World
America
Fame
" I think my life has been transformed by the ability to take things that exist in the world and look at them more closely. I think that's what art does at its best: it allows us to slow down. "
Kehinde Wiley
World
Best
Art
" My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria. "
Kehinde Wiley
Go
Family
Texas
" Portraits are about revealing aspects of an individual. "
Kehinde Wiley
Portraits
Individual
About
" My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken. "
Kehinde Wiley
Truth
Style
Painting
" The language of the heroic is something that has evolved over time. "
Kehinde Wiley
Over
Heroic
Language
" This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures. "
Kehinde Wiley
Hip-Hop
Performance
Masculinity
" I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level. "
Kehinde Wiley
Remember
Time
Painting
" If people looked at me like I was a little different, I would maybe sit next to them, and I would draw. "
Kehinde Wiley
Me
Sit
Little
" My work is a contemporary call to arms. It is time to get our mojo back. To rediscover our true north. "
Kehinde Wiley
True
Work
Time
" When you go back to the days when I was studying how to paint, some of the things that excited me most was to go into the Huntington Library and Gardens and to see the amazing pictures of the landed gentry. "
Kehinde Wiley
Amazing
Library
Me
" Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends. "
Kehinde Wiley
Think
Society
Own
" If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world. "
Kehinde Wiley
Love
History
Myself
" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" The whole conversation of my work has to do with power and who has it. "
Kehinde Wiley
Work
Conversation
Power
" I thought I'd be a chef by night and paint by day. Now I just have fabulous dinner parties. "
Kehinde Wiley
Chef
Day
Thought
" It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid. "
Kehinde Wiley
Success
Childhood
Struggle
" My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint. "
Kehinde Wiley
Matter
Up
Work
" The games I'm playing have much more to do with using the language of power and the vocabulary of power to construct new sentences. It's about pointing to empire and control and domination and misogyny and all those social ills in the work, but it's not necessarily taking a position. Oftentimes, it's actually embodying it. "
Kehinde Wiley
Work
Control
Games
" Gauguin is creepy - let's just face it. He goes off into the Pacific, and he's looking at these young girls, and the colonial gaze: It's just really problematic. "
Kehinde Wiley
Off
Creepy
Face
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" Artists have been very good at working for the church and for the state; communicating the aspirations of a society. "
Kehinde Wiley
Church
Been
Society
" My sexuality is not black and white. I'm a gay man who has occasionally drifted. I am not bi. I've had perfectly pleasant romances with women, but they weren't sustainable. My passion wasn't there. I would always be looking at guys. "
Kehinde Wiley
Black And White
Women
Passion
" The reality of Barack Obama being the president of the United States - quite possibly the most powerful nation in the world - means that the image of power is completely new for an entire generation of not only black American kids but every population group in this nation. "
Kehinde Wiley
Powerful
Power
Black
" I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily. "
Kehinde Wiley
Rules
More
Moments