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" I taught myself to paint African-Americans, mostly people roughly my skin tone. "
Kehinde Wiley
Paint
Skin
People
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" The way we think about a presidential portrait is one that is imbued with dignity from the outset. "
Kehinde Wiley
About
Dignity
Portrait
" You have to be careful about over-politicizing the utterances of people of colour because, oftentimes, there's poetry that seeks to go beyond that narrative. "
Kehinde Wiley
Colour
People
You
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting. "
Kehinde Wiley
Painting
Surprise
New York
" When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy. "
Kehinde Wiley
About
Favourite
Thought
" I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me. "
Kehinde Wiley
Painting
Work
Day
" What's interesting about the 21st century is how people deal with cultural history. We don't necessarily feel like there are discrete categories. We consume it as a complete package, whether it's down the street or on the other side of the globe. "
Kehinde Wiley
Interesting
Street
History
" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated
" I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department. "
Kehinde Wiley
Police
Black
Know
" I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily. "
Kehinde Wiley
Rules
More
Moments
" My love affair with painting is bittersweet. "
Kehinde Wiley
Affair
Bittersweet
Painting
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" One of the things that has inspired me so much is knowing that I felt like I could never measure up. "
Kehinde Wiley
Never
Knowing
Me
" In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle. "
Kehinde Wiley
Black
Work
Men
" I grew up in South Central Los Angeles in the '80s, back when it just wasn't a cool scene. But my mother had the foresight to look for a number of projects that would keep us away from the streets. "
Kehinde Wiley
Back
Look
Los Angeles
" Obama stands as a signal that this nation will continue to redefine what it means to push beyond the borders of what's possible. "
Kehinde Wiley
Push
Beyond
Nation
" In the end, what I'm trying to say as a person who does all this travel and fashions these images is that you arrive at an approximate location but never one destination. "
Kehinde Wiley
End
Destination
You
" Artists have been very good at working for the church and for the state; communicating the aspirations of a society. "
Kehinde Wiley
Church
Been
Society
" It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid. "
Kehinde Wiley
Success
Childhood
Struggle
" My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked. "
Kehinde Wiley
Age
Art
Painting
" I think my life has been transformed by the ability to take things that exist in the world and look at them more closely. I think that's what art does at its best: it allows us to slow down. "
Kehinde Wiley
World
Best
Art
" Art is about changing what we see in our everyday lives and representing it in such a way that it gives us hope. "
Kehinde Wiley
Hope
Changing
Art
" What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body. "
Kehinde Wiley
American
Black
Body
" Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation. "
Kehinde Wiley
Also
Fashion
Nation
" In the field of aesthetic theory, humans are pattern-seeking creatures. That can be seen in terms of musical structures, patternmaking, even in terms of storytelling and literature. "
Kehinde Wiley
Literature
Storytelling
Aesthetic
" My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others. "
Kehinde Wiley
Me
Language
Child
" This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures. "
Kehinde Wiley
Hip-Hop
Performance
Masculinity
" Europe has been a place of refuge. Why should it stop with black and brown bodies? "
Kehinde Wiley
Stop
Black
Europe
" What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture. "
Kehinde Wiley
Try
Picture
High
" The beauty of art is that it allows you to slow down, and for a moment, things that once seemed unfamiliar become precious to you. "
Kehinde Wiley
Slow
Beauty
You