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" I teach at Columbia, and I'm always looking for books I can lose myself in during the 45 minutes I'm on the train. "
Lynn Nottage
Myself
Train
I Can
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" If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white. "
Lynn Nottage
Looking
White
You
" It is such a joy to join a legacy of amazing female playwrights who have managed to break through the glass ceiling and reinvigorate the Broadway stage by bringing a fresh and necessary perspective. "
Lynn Nottage
Perspective
Amazing
Joy
" It's incumbent on us to reach beyond the confines of the institutions that traditionally produce art and find new ways to get it to the people. "
Lynn Nottage
Art
Beyond
Find
" If the Tony Awards want to remain relevant in the American theater conversation, then they need to embrace the true diversity of voices that populate the American theater. "
Lynn Nottage
True
American
Conversation
" The more you go to a theatre and the more you hear stories you aren't necessarily familiar with, the more open you become. "
Lynn Nottage
You
Become
Go
" We live in a global society, and I don't think we can talk about, quote unquote, 'American themes' anymore. "
Lynn Nottage
American
Live
Society
" In listening to the narratives of the Congolese, I came to terms with the extent to which their bodies had become battlefields. "
Lynn Nottage
Had
Listening
Which
" American audiences very rarely deal with material outside their borders. "
Lynn Nottage
Deal
American
Borders
" I knew that there was a great deal of depth and life that was sitting just beyond my mother's gaze. "
Lynn Nottage
Life
Sitting
Mother
" There was no way I was going to write about Africa and not include the triumphant continuity of life that had also been part of my experience there. It's not just war and famine all the time. "
Lynn Nottage
Time
Life
Way
" The theatre should reflect America as it's lived in today. And that is a multicultural America. "
Lynn Nottage
America
Lived
Today
" Each play I write has its own unique origin story. "
Lynn Nottage
Unique
Own
Play
" I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless. "
Lynn Nottage
People
Talking
Us
" In many ways, I consider those to be my formative years, because when you're in school, you have a distant relationship to the world in that most of what you're learning is from books and lectures. But at Amnesty, I came face to face with realities in a very direct and harsh way. "
Lynn Nottage
School
World
Relationship
" Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson. "
Lynn Nottage
Start
Writing
Music
" When you're fighting for an increasingly smaller portion of the pie, you turn against each other; you create reasons to hate each other. "
Lynn Nottage
You
Turn
Create
" Women are standing up and leaning forward and asserting their power. "
Lynn Nottage
Power
Standing
Up
" The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller. "
Lynn Nottage
Love
Political
Person
" My hobby is raising my children. "
Lynn Nottage
Hobby
Raising
Children
" African American women in particular have incredible buying power. Statistically, we go to the movies more than anyone. We have made Tyler Perry's career. His films open with $25 million almost consistently. "
Lynn Nottage
Movies
American
Career
" I wrote 'Ruined' and 'Vera Stark' at the same time. That's just how my brain functions - when I'm dwelling someplace very heavy, I need a release. "
Lynn Nottage
Brain
Time
Same
" My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters. "
Lynn Nottage
Nothing
Decisions
People
" When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes. "
Lynn Nottage
Men
America
Angry
" I know what I'm trying to say, so I'm always open to learning how to say it. "
Lynn Nottage
How
Always
Know
" By the time I reached 50, I'd accumulated many unresolved fears and desires. "
Lynn Nottage
Many
Time
Unresolved
" Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs. "
Lynn Nottage
Now
Protect
Used
" I see procrastination and research as part of my artistic process. "
Lynn Nottage
Process
Procrastination
See
" In my family history, there are generations of women who were abandoned by men. It's one of the themes of my family. "
Lynn Nottage
Abandoned
Family
Women
" Even in Congo, where conflicts are happening, people have births, weddings, deaths, and celebrations. "
Lynn Nottage
Even
People
Where
" Growing up in New York City, I'd flirted with the idea of driving, but between the subway and the sidewalks, I'd never needed to learn. "
Lynn Nottage
Growing Up
New
Driving