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" I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story. "
Pedro Almodovar
Think
Work
Story
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" I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after. "
Pedro Almodovar
Leave
Mind
Movies
" The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple. "
Pedro Almodovar
Simple
True
More
" La Mancha is a very macho, chauvinistic society. I saw very clearly that my life had to be in Madrid, and I liberated myself from my mum and dad after high school. "
Pedro Almodovar
School
Society
Life
" For there to be communication within a couple, it is enough for there to be only one person who communicates or who really wants to communicate. Even though a couple consists of two people, if one of the people in a couple puts all their effort into moving a couple along they will move along. "
Pedro Almodovar
Effort
Communication
People
" It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing. "
Pedro Almodovar
Just
I Can
Never
" After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception. "
Pedro Almodovar
Perception
Start
Success
" With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner. "
Pedro Almodovar
Best
Going
Hide
" The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other. "
Pedro Almodovar
Me
Impossible
Work
" Already when I was very young, I was a fabulador. I loved to give my own version of stories that everybody already knew. "
Pedro Almodovar
Loved
Give
My Own
" I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties. "
Pedro Almodovar
Remember
Myself
Brother
" Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have. "
Pedro Almodovar
Lens
Work
Naked
" The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images. "
Pedro Almodovar
See
Film
Me
" I'm an artist, and I'm part of every decision in a movie. "
Pedro Almodovar
Part
Movie
Every
" There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in. "
Pedro Almodovar
Singing
Work
Need
" The 1980s really ended for me in 1992 with the film Kika. "
Pedro Almodovar
Really
1980s
Ended
" Cukor is one of my favorite directors. He was a master at directing women. "
Pedro Almodovar
He
Women
Directing
" My mother was an extremely creative woman, despite the fact that she lived the life of a rural housewife. "
Pedro Almodovar
She
Woman
Creative
" I think my films are always political, even if I don't put explicitly political things in them. "
Pedro Almodovar
Even
Always
Think
" If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me. "
Pedro Almodovar
Freedom
Money
Me
" My first memory is of the eyes of my brother; he was looking at me all the time. "
Pedro Almodovar
Memory
Me
Looking
" I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity. "
Pedro Almodovar
Flower
Change
Time
" I think that there is always a part of utopia in any romantic relationship. "
Pedro Almodovar
Think
Relationship
Romantic
" I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion. "
Pedro Almodovar
Feel
Colors
Fake
" I think that the consciousness of passion makes you act very differently. "
Pedro Almodovar
Think
You
Passion
" My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you. "
Pedro Almodovar
Me
Light
Photography
" Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story. "
Pedro Almodovar
Want
Story
Single
" Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual. "
Pedro Almodovar
Working
Prepare
Play
" Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities. "
Pedro Almodovar
Her
More
Mother
" In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government. "
Pedro Almodovar
House
Fact
Government
" I was born at a bad time for Spain, but a really good one for cinema. "
Pedro Almodovar
Spain
Time
Cinema