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" My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you. "
Pedro Almodovar
Me
Light
Photography
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" There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in. "
Pedro Almodovar
Singing
Work
Need
" The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images. "
Pedro Almodovar
See
Film
Me
" Already when I was very young, I was a fabulador. I loved to give my own version of stories that everybody already knew. "
Pedro Almodovar
Loved
Give
My Own
" I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness. "
Pedro Almodovar
Strength
Reality
Loneliness
" I think my films are always political, even if I don't put explicitly political things in them. "
Pedro Almodovar
Even
Always
Think
" Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places. "
Pedro Almodovar
Long Time
Places
Long
" The life I live due to my work is difficult to share. "
Pedro Almodovar
Difficult
Work
Share
" I was born at a bad time for Spain, but a really good one for cinema. "
Pedro Almodovar
Spain
Time
Cinema
" I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties. "
Pedro Almodovar
Remember
Myself
Brother
" I'm an artist, and I'm part of every decision in a movie. "
Pedro Almodovar
Part
Movie
Every
" My mother was an extremely creative woman, despite the fact that she lived the life of a rural housewife. "
Pedro Almodovar
She
Woman
Creative
" Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual. "
Pedro Almodovar
Working
Prepare
Play
" La Mancha is a very macho, chauvinistic society. I saw very clearly that my life had to be in Madrid, and I liberated myself from my mum and dad after high school. "
Pedro Almodovar
School
Society
Life
" The 1980s really ended for me in 1992 with the film Kika. "
Pedro Almodovar
Really
1980s
Ended
" Broadway musicals, where you sing the whole time, I really don't like; I like alternating dialogue and music. "
Pedro Almodovar
Dialogue
Broadway
You
" The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion. "
Pedro Almodovar
Film
Emotion
Feel
" All my movies are difficult to classify because they are very eclectic in mixing genres. "
Pedro Almodovar
Mixing
Because
Difficult
" You can make a thousand different movies about the same subject. "
Pedro Almodovar
Different
Thousand
You
" The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other. "
Pedro Almodovar
Me
Impossible
Work
" The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple. "
Pedro Almodovar
Simple
True
More
" If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them. "
Pedro Almodovar
Tell
Successful
Director
" I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story. "
Pedro Almodovar
Think
Work
Story
" In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government. "
Pedro Almodovar
House
Fact
Government
" If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me. "
Pedro Almodovar
Freedom
Money
Me
" Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story. "
Pedro Almodovar
Want
Story
Single
" All my movies have an autobiographical dimension, but that is indirectly, through the personages. In fact, I am behind everything that happens and that is said, but I am never talking about myself in first person singular. "
Pedro Almodovar
Myself
Movies
I Am
" Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why. "
Pedro Almodovar
Face
Problems
Talk
" After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception. "
Pedro Almodovar
Perception
Start
Success
" I ask myself questions that journalists don't dare to ask or don't know how to ask. "
Pedro Almodovar
Questions
Myself
Know
" I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity. "
Pedro Almodovar
Flower
Change
Time