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" I think the pairing of your material practice with your subject is something that is the constant concern of every artist for time immemorial. "
Kehinde Wiley
Practice
Think
Artist
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" My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world. "
Kehinde Wiley
Much
World
Production
" I taught myself to paint African-Americans, mostly people roughly my skin tone. "
Kehinde Wiley
Paint
Skin
People
" Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends. "
Kehinde Wiley
Think
Society
Own
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken. "
Kehinde Wiley
Truth
Style
Painting
" I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do. "
Kehinde Wiley
People
Black
Looking
" During 1989, my mother, who was exceedingly good at finding these free programs - you know, we were on welfare, just trying to get through - but she would find these amazing programs. She sent me to the Soviet Union at the age of 12 to go study in the forest of then-Leningrad with 50 other Soviet kids. "
Kehinde Wiley
Me
Good
Forest
" If art can be at the service of anything, it's about letting us see a state of grace for those people who rarely get to be able to be seen that way. "
Kehinde Wiley
Way
See
Service
" My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint. "
Kehinde Wiley
Matter
Up
Work
" I am interested in evolution within my thinking. I am not interested in the evolution of my paint. "
Kehinde Wiley
I Am
Paint
Thinking
" You don't hire Kehinde Wiley to have a tame painting. "
Kehinde Wiley
Tame
You
Painting
" There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and reaching towards those standards. "
Kehinde Wiley
Slavery
Best
Gender
" What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body. "
Kehinde Wiley
American
Black
Body
" Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art. "
Kehinde Wiley
Opportunity
Art
Black
" My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria. "
Kehinde Wiley
Go
Family
Texas
" As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in terms of pop culture and global and social outlook. "
Kehinde Wiley
Culture
See
Street
" I've jokingly painted some of my favorite collectors as black men, so there's a really great portrait of David LaChapelle, the photographer - my version of him - that's in his collection. "
Kehinde Wiley
Men
Great
Portrait
" In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle. "
Kehinde Wiley
Black
Work
Men
" I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department. "
Kehinde Wiley
Police
Black
Know
" The reality of Barack Obama being the president of the United States - quite possibly the most powerful nation in the world - means that the image of power is completely new for an entire generation of not only black American kids but every population group in this nation. "
Kehinde Wiley
Powerful
Power
Black
" Art in the age of the digital image is completely different from experiencing art in physical form. "
Kehinde Wiley
Art
Image
Digital
" You have to be careful about over-politicizing the utterances of people of colour because, oftentimes, there's poetry that seeks to go beyond that narrative. "
Kehinde Wiley
Colour
People
You
" My mother introduced to me as a child the world of language: the way in which translation can be a system by which you can understand others. "
Kehinde Wiley
Me
Language
Child
" Once I get a project in my head, I start getting really obsessive about it. "
Kehinde Wiley
Get
Once
Start
" Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation. "
Kehinde Wiley
Also
Fashion
Nation
" Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends. "
Kehinde Wiley
Friends
Know
Light
" What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture. "
Kehinde Wiley
Try
Picture
High
" It's so easy just to see the one-to-one narrative between presence and non-presence. "
Kehinde Wiley
Just
See
Easy
" The games I'm playing have much more to do with using the language of power and the vocabulary of power to construct new sentences. It's about pointing to empire and control and domination and misogyny and all those social ills in the work, but it's not necessarily taking a position. Oftentimes, it's actually embodying it. "
Kehinde Wiley
Work
Control
Games
" When you go back to the days when I was studying how to paint, some of the things that excited me most was to go into the Huntington Library and Gardens and to see the amazing pictures of the landed gentry. "
Kehinde Wiley
Amazing
Library
Me