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" You don't hire Kehinde Wiley to have a tame painting. "
Kehinde Wiley
Tame
You
Painting
Related Quotes:
" Europe has been a place of refuge. Why should it stop with black and brown bodies? "
Kehinde Wiley
Stop
Black
Europe
" What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body. "
Kehinde Wiley
American
Black
Body
" If people looked at me like I was a little different, I would maybe sit next to them, and I would draw. "
Kehinde Wiley
Me
Sit
Little
" The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that. "
Kehinde Wiley
President
Ability
Better
" If art can be at the service of anything, it's about letting us see a state of grace for those people who rarely get to be able to be seen that way. "
Kehinde Wiley
Way
See
Service
" There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible. "
Kehinde Wiley
Be True
Beautiful
Painting
" Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends. "
Kehinde Wiley
Think
Society
Own
" We all look at the same object in different ways. "
Kehinde Wiley
Look
Different
Ways
" My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world. "
Kehinde Wiley
Much
World
Production
" My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint. "
Kehinde Wiley
Matter
Up
Work
" I've fished everywhere I've traveled. "
Kehinde Wiley
Traveled
Everywhere
" Many people see my early work simply as portraits of black and brown people. Really, it's an investigation of how we see those people and how they have been perceived over time. "
Kehinde Wiley
Time
Work
Early
" The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside. "
Kehinde Wiley
Identity
Performance
American
" I grew up in this weird, educationally elite but economically impoverished environment. Total 'Oprah' story. "
Kehinde Wiley
Elite
Environment
Up
" By and large, most of the work that we see in the great museums throughout the world are populated with people who don't happen to look like me. "
Kehinde Wiley
World
People
Look
" I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department. "
Kehinde Wiley
Police
Black
Know
" My father is Nigerian; my mother is from Texas and African-American. My father was the first in his family to go to university. He flew from Nigeria to Los Angeles in the '70s to go to UCLA, where he met my mother. They broke up before I was born, and he returned to Nigeria. "
Kehinde Wiley
Go
Family
Texas
" What's interesting about the 21st century is how people deal with cultural history. We don't necessarily feel like there are discrete categories. We consume it as a complete package, whether it's down the street or on the other side of the globe. "
Kehinde Wiley
Interesting
Street
History
" Art is about changing what we see in our everyday lives and representing it in such a way that it gives us hope. "
Kehinde Wiley
Hope
Changing
Art
" I understand blackness from the inside out. What my goal is, is to allow the world to see the humanity that I know personally to be the truth. "
Kehinde Wiley
See
Truth
World
" I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture. "
Kehinde Wiley
Art
Looking
History
" As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in terms of pop culture and global and social outlook. "
Kehinde Wiley
Culture
See
Street
" There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting. "
Kehinde Wiley
You
Cool
Like
" The whole conversation of my work has to do with power and who has it. "
Kehinde Wiley
Work
Conversation
Power
" It's sad, the enslavement of the black underclass to designer labels - we're an age that cares more about Versace than Vermeer. "
Kehinde Wiley
Black
Cares
Age
" I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily. "
Kehinde Wiley
Rules
More
Moments
" At its best, what art does is, it points to who we as human beings and what we as human beings value. And if Black Lives Matter, they deserve to be in paintings. "
Kehinde Wiley
Matter
Value
Deserve
" Art in the age of the digital image is completely different from experiencing art in physical form. "
Kehinde Wiley
Art
Image
Digital
" Obama stands as a signal that this nation will continue to redefine what it means to push beyond the borders of what's possible. "
Kehinde Wiley
Push
Beyond
Nation
" Painting does more than just point to things. The very act of pointing is a value statement. "
Kehinde Wiley
Point
More
Painting