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" I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things. "
Colm Toibin
Book
Stories
Think
Related Quotes:
" The only routine I have is that I finish everything I start. I wake up early every day - about 6.30 A.M. - but I do not work every day. I could laze for a day or two, but I wouldn't do it for three. "
Colm Toibin
Work
Wake Up
Three
" The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side. "
Colm Toibin
Go
Fountain
Problem
" While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone. "
Colm Toibin
Work
Time
Know
" Writing tends to be very deliberate. A novelist could probably run a military campaign with some success. They could certainly run a country. "
Colm Toibin
Run
Country
Military
" People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to. "
Colm Toibin
World
Glamour
Boy
" I don't think we have a right to enjoy our neuroses; in fact, I believe that we have a duty not to. But we cannot walk away from ourselves. Who else is there to become? "
Colm Toibin
I Believe
Think
Walk
" I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner. "
Colm Toibin
Impossible
I Am
Listen
" The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one. "
Colm Toibin
I Am
Poetry
Mirror
" I live in words. I like looking at things, but I don't have a strong visual imagination. "
Colm Toibin
Words
Live
Imagination
" Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of solitude. No flashbacks and no backstory. Let's have no more back story! "
Colm Toibin
Story
Back
Dance
" All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much. "
Colm Toibin
Realize
You
Manipulation
" I suppose one should have an integrated personality, but I've never really seen the point. "
Colm Toibin
Point
Never
Personality
" The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop. "
Colm Toibin
Moments
Good
Distance
" You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road. "
Colm Toibin
Style
Writing
Road
" In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my own belief in Catholic dogma had been shaken and weakened, I found that the beauty and the richness of the art still held me. "
Colm Toibin
Comfort
Belief
Beauty
" I wrote every day between the ages of 12 and 20 when I stopped because I went to Barcelona, where life was too exciting to write. "
Colm Toibin
Write
Because
Day
" The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize. "
Colm Toibin
Story
Feel
Trying
" I went to live in Barcelona in 1975, when I was twenty. Even before I went there, I knew more about the Spanish Civil War than I did about the Irish Civil War. I liked Barcelona, and then I grew to like a place in the Catalan Pyrenees called the Pillars, especially an area between the village of Flavors and the high mountains around it. "
Colm Toibin
Live
Village
War
" Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.' "
Colm Toibin
Say
You
Someone
" I feel just fine about ignoring or bypassing the rights of people I have known and loved to be rendered faithfully, or to be left in peace, and out of novels. "
Colm Toibin
Left
Peace
People
" The best thing about New York is working late into the night. At 1 in the morning on a Saturday, to be still working, there's an immense satisfaction in being enclosed by it. "
Colm Toibin
Best
New York
Night
" I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?' "
Colm Toibin
You
America
Race
" John McGovern taught me that it's OK to write repeatedly about the same things. "
Colm Toibin
Same
Me
OK
" I'm slightly influenced by sport in that I like the idea of trying, like an athlete, to keep absolutely ready. That's an emotional thing, almost. I don't mean physically, although I play tennis. But you try to keep yourself ready. "
Colm Toibin
Athlete
Play
Trying
" I did think of becoming a priest quite late on, when other boys were thinking of knocking over fences and going out with girls. I would have made a very good bishop: nice housekeeper, nice clothes - god, the clothes. "
Colm Toibin
God
Good
Out
" I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more. "
Colm Toibin
Ireland
Because
More
" Between the ages of 8 and 12 it was difficult to know what my father was saying, and he moved very slowly, and then he died. "
Colm Toibin
Know
Saying
Slowly
" History is a way of interpreting, rather than, say, knowing, the past. It is usually a set of disputes between those who have access to the same sources. It depends on ideology as much as voting in an election does. "
Colm Toibin
History
Voting
Say
" In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation. Imagined worlds can lodge deeply in the private sphere, dislodging much else, especially when the public sphere is fragile. "
Colm Toibin
Life
Creation
Strange
" It is important to find a publisher and equally important not to be noticed until your third or fourth book. "
Colm Toibin
Book
Your
Important