Home
Authors
Tags
App
Get QuoteDark Inspirational Quotes App
" Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of solitude. No flashbacks and no backstory. Let's have no more back story! "
Colm Toibin
Story
Back
Dance
Related Quotes:
" Life has a funny way of becoming ordinary as soon as it can. "
Colm Toibin
Way
Funny
Life
" The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side. "
Colm Toibin
Go
Fountain
Problem
" When I was 19, I thought I wanted to be an English civil servant. It was the most exotic thing at the time - can you imagine, in the middle of the IRA bombing campaigns? I saw an ad inviting Irish applicants for an induction course, so I signed up. "
Colm Toibin
Up
Imagine
Irish
" You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road. "
Colm Toibin
Style
Writing
Road
" I don't think we have a right to enjoy our neuroses; in fact, I believe that we have a duty not to. But we cannot walk away from ourselves. Who else is there to become? "
Colm Toibin
I Believe
Think
Walk
" My first novel was turned down by about twenty publishers over a period of two and a half years. Because my name is Irish and would not be familiar to English editors, one of them said: 'If she writes anything else, do let us know.' Slowly, very slowly, the books began to sell and be noticed. "
Colm Toibin
Down
Name
Said
" While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone. "
Colm Toibin
Work
Time
Know
" I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly. "
Colm Toibin
Child
Work
Sleep
" I feel just fine about ignoring or bypassing the rights of people I have known and loved to be rendered faithfully, or to be left in peace, and out of novels. "
Colm Toibin
Left
Peace
People
" 'One Minus One' and 'Barcelona, 1975' are more or less autobiographical. "
Colm Toibin
Autobiographical
Less
Barcelona
" It may be enough to study history in all its nuance and ambiguity for its own sake. But there is no country free of the need to find new ways of reading the past as an inspiring way of thinking about everything else, including the present. "
Colm Toibin
Thinking
History
Past
" Three of my novels and a good number of my short stories are told from the point of view of men. I was brought up in a house of women. "
Colm Toibin
Women
View
Three
" Solitude is good in the evening. Dublin is a quiet city when you get to a certain age, when your friends settle down and have kids. Nothing much happens here. "
Colm Toibin
Age
You
Solitude
" The old Victorian laws against homosexuality were still on the statute books until the early 1990s. As a gay man living in Ireland, I and people like me found it easy to feel less than citizens. "
Colm Toibin
People
Early
Man
" I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland. "
Colm Toibin
Violence
Book
Cruelty
" Writing tends to be very deliberate. A novelist could probably run a military campaign with some success. They could certainly run a country. "
Colm Toibin
Run
Country
Military
" I still have a stammer that I can control by not opening a sentence with a hard consonant, or by concentrating for a moment, breathing softly down. Growing up, the 'Our Father' was lovely, made for me, the 'Hail Mary' was gorgeous, and 'Glory Be to the Father' was an absolute nightmare. "
Colm Toibin
Control
Moment
Father
" People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to. "
Colm Toibin
World
Glamour
Boy
" I did think of becoming a priest quite late on, when other boys were thinking of knocking over fences and going out with girls. I would have made a very good bishop: nice housekeeper, nice clothes - god, the clothes. "
Colm Toibin
God
Good
Out
" It is important to find a publisher and equally important not to be noticed until your third or fourth book. "
Colm Toibin
Book
Your
Important
" I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room. "
Colm Toibin
Work
Pen
I Am
" I have to write a first draft with a fountain pen before I type it up as a second. "
Colm Toibin
Write
Pen
Fountain
" Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.' "
Colm Toibin
Say
You
Someone
" John McGovern taught me that it's OK to write repeatedly about the same things. "
Colm Toibin
Same
Me
OK
" I live in words. I like looking at things, but I don't have a strong visual imagination. "
Colm Toibin
Words
Live
Imagination
" I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?' "
Colm Toibin
You
America
Race
" The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one. "
Colm Toibin
I Am
Poetry
Mirror
" When a book comes from the publisher and you see it for the first time... Of course it's not remotely like seeing a baby for the first time, but I can remember with each book what room I was in when I opened it. That would be excitement, though, I think. Not pride. "
Colm Toibin
Remember
Time
Think
" You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that. "
Colm Toibin
School
Home
You
" Describe character using dialogue. Describe character using what the characters see or do or think, but not what they had done or where they had been. "
Colm Toibin
Character
See
Think