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" All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much. "
Colm Toibin
Realize
You
Manipulation
Related Quotes:
" Between the ages of 8 and 12 it was difficult to know what my father was saying, and he moved very slowly, and then he died. "
Colm Toibin
Know
Saying
Slowly
" Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.' "
Colm Toibin
Say
You
Someone
" I was first in Sydney in 1993, and have been a few times since then. For someone who didn't know Australia, it came as a shock how intelligent, interesting and funny the people were. If I lived there I might see it differently, but as a visitor it was a lot of fun. "
Colm Toibin
Funny
People
Know
" You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road. "
Colm Toibin
Style
Writing
Road
" I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly. "
Colm Toibin
Child
Work
Sleep
" Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of solitude. No flashbacks and no backstory. Let's have no more back story! "
Colm Toibin
Story
Back
Dance
" 'One Minus One' and 'Barcelona, 1975' are more or less autobiographical. "
Colm Toibin
Autobiographical
Less
Barcelona
" The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop. "
Colm Toibin
Moments
Good
Distance
" I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what should happen. "
Colm Toibin
Happens
Happen
Ideal
" John McGovern taught me that it's OK to write repeatedly about the same things. "
Colm Toibin
Same
Me
OK
" I live in words. I like looking at things, but I don't have a strong visual imagination. "
Colm Toibin
Words
Live
Imagination
" I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more. "
Colm Toibin
Ireland
Because
More
" I feel just fine about ignoring or bypassing the rights of people I have known and loved to be rendered faithfully, or to be left in peace, and out of novels. "
Colm Toibin
Left
Peace
People
" I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and you couldn't write home and tell people, 'Look, I'm really lonely,' because you'd realize how much those letters were going to matter, that you needed to put good news or uplifting news into them. "
Colm Toibin
Good
Home
Yourself
" It is important to find a publisher and equally important not to be noticed until your third or fourth book. "
Colm Toibin
Book
Your
Important
" Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure. "
Colm Toibin
Strong
Me
Writing
" Describe character using dialogue. Describe character using what the characters see or do or think, but not what they had done or where they had been. "
Colm Toibin
Character
See
Think
" I have to write a first draft with a fountain pen before I type it up as a second. "
Colm Toibin
Write
Pen
Fountain
" The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize. "
Colm Toibin
Story
Feel
Trying
" In Ireland, novels and plays still have a strange force. The writing of fiction and the creation of theatrical images can affect life there more powerfully and stealthily than speeches, or even legislation. Imagined worlds can lodge deeply in the private sphere, dislodging much else, especially when the public sphere is fragile. "
Colm Toibin
Life
Creation
Strange
" People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to. "
Colm Toibin
World
Glamour
Boy
" I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner. "
Colm Toibin
Impossible
I Am
Listen
" My first novel was turned down by about twenty publishers over a period of two and a half years. Because my name is Irish and would not be familiar to English editors, one of them said: 'If she writes anything else, do let us know.' Slowly, very slowly, the books began to sell and be noticed. "
Colm Toibin
Down
Name
Said
" I don't think we have a right to enjoy our neuroses; in fact, I believe that we have a duty not to. But we cannot walk away from ourselves. Who else is there to become? "
Colm Toibin
I Believe
Think
Walk
" The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one. "
Colm Toibin
I Am
Poetry
Mirror
" Everyone who's in America spends the first few years not experiencing it. The person is frightened by the newness of the place and doesn't see things. Her emotional universe becomes the entire universe. And then when she thinks of home, her distance in space can seem like a distance in time. "
Colm Toibin
She
America
Home
" I wrote every day between the ages of 12 and 20 when I stopped because I went to Barcelona, where life was too exciting to write. "
Colm Toibin
Write
Because
Day
" The best thing about New York is working late into the night. At 1 in the morning on a Saturday, to be still working, there's an immense satisfaction in being enclosed by it. "
Colm Toibin
Best
New York
Night
" While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone. "
Colm Toibin
Work
Time
Know
" Writer's block! It doesn't exist. You just long for ideas to go away so you have an idea of peace. "
Colm Toibin
Ideas
Go
Peace