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" I was always ambitious - not to make money: to be published. "
Edmund White
Published
Always
Make
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" When my lover Hubert Sorin was dying of AIDS, he was always trying to fix me up - posthumously, as it were - with the cute busboy at the hotel. "
Edmund White
Hotel
Cute
Always
" There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement. "
Edmund White
Life
Age
Looking
" Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section. "
Edmund White
Black
People
Look
" America thrives on identity politics, left and right. But France is opposed to the idea. Since the Revolution, the French have enthroned the idea of universalism. All of us must be equal before the law as abstract individuals, and that extends to the arts. "
Edmund White
Identity
Law
Politics
" I've accompanied several dying people on their travels, and the desert seems to be a favored destination. It is very hot and dry and lyrical in its own way. "
Edmund White
Hot
Dying
People
" Why did mainstream America come to accept marriage equality? Gay leaders had made a convincing case that gay families were like straight families and should have the same rights. The American spirit of fair play had been invoked. "
Edmund White
American
America
Marriage
" I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist. "
Edmund White
Someone
People
Man
" When a woman falls in love with me, I feel guilty. I am convinced that it's pure obstinacy that keeps me from reciprocating her passion. As I explain to her that I'm gay, it sounds, even to me, like a silly excuse; I scarcely believe it myself. "
Edmund White
Woman
Myself
Me
" Most writers tend to get worse rather than better. I'm determined to be one that gets better. "
Edmund White
Determined
Better
Worse
" When I was young, I despised old people. I was provincial and narrow-minded. It's the reason I stayed stupid so long. If you only get involved with young people you don't learn anything about the world. "
Edmund White
Learn
People
Stupid
" 'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative. "
Edmund White
Solitude
Beginning
Endure
" Women and gay men have something in common after all: in that they are trying to deal with this goofy egotistical monster called a man. "
Edmund White
Trying
Monster
Man
" Key West is the place where your sickly house plant back in New York grows to 10 ft. It's also the place where an 8-ft. cactus, the century plant, produces a huge yellow flower every great once in a while, like a robot proffering a bouquet. After the plant flowers, it dies. "
Edmund White
Yellow
Flower
Flowers
" When I was a child, I loved 'The Marble Faun' by Nathaniel Hawthorne. The reason I liked it was because it had a beautiful binding. When you're a kid, you like books because they're pretty to look at, and this one had a white calfskin cover and gold edges. That was enough to make me love it. "
Edmund White
Loved
Beautiful
Child
" In a novel, I think you have a contract with the reader to make the character representative - of a moment in history, a social class... for instance, I wanted to make the boy in 'A Boy's Own Story' more like other gay men of my generation in their youth and not like me. "
Edmund White
Moment
History
Men
" Of course the success of A Boy's Own Story took me utterly off guard. "
Edmund White
Me
Boy
Story
" A straight writer can write a gay novel and not worry about it, and a gay novelist can write about straight people. "
Edmund White
Worry
Gay
About
" Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great. "
Edmund White
People
Most
Little
" When I was in college, I was always saying I was a socialist. "
Edmund White
Socialist
Saying
College
" While writing 'City Boy,' I relied mainly on my own memories. In particular, I was able to describe the effect of gay liberation on an individual life (mine) as events paralleled my own growing self-acceptance; in this case, the political truly was the personal. "
Edmund White
Writing
City
Memories
" If I had been straight, I would have been an entirely different person. I would never have turned toward writing with a burning desire to confess, to understand, to justify myself in the eyes of others... I wouldn't have been impelled to live in New York and choose the hard poverty of bohemia over the soft comfort of the business world. "
Edmund White
Eyes
Myself
New York
" I hate writing. I almost never write. I write against deadlines. And when I'm teaching, I'm focused on that. "
Edmund White
Hate
Against
Focused
" In the middle of my sophomore year, I was sent to boarding school, at the Cranbrook School for boys, in Bloomfield Hills, Michigan, where I fell in love with Marilyn Monroe. I knew that she was the most beautiful woman in the world, and yet she was in pain, in need. She was unhappy. I believed that I could help her. "
Edmund White
Beautiful Woman
Love
Woman
" I was never an assimilationist. I always thought gays had some special mission. "
Edmund White
Always
Never
Thought
" First, I was opposed to gay marriage because it seemed like one more way that gays were wanting to assimilate. When I realized the Christian right was so opposed to it, as well as tyrannical governments in Africa and Russia, I thought, 'It must be a good thing to fight for.' "
Edmund White
Good
Gay
Fight
" I didn't get anything published until I was thirty-three, and yet I'd written five novels and six or seven plays. The plays, I should point out, were dreadful. "
Edmund White
Out
Anything
Five
" From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's nothing holy about it for me, but it should be serious, and it should be totally transparent. "
Edmund White
Age
Serious
Me
" The culmination of a long struggle was 2013, which could clearly be labeled the Year of the Gay. State after state had legalized gay marriage, despite intense opposition from the religious right. "
Edmund White
Gay
Right
Long
" Early on, after gay liberation, there was an almost Stalinist pressure from gay critics and even gay readers to write about positive role models. We were never supposed to write negative things about gays, or else we were seen as collaborating with the enemy. "
Edmund White
Gay
Early
Negative
" I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting. "
Edmund White
Writing
Gay
Stand