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" I was never an assimilationist. I always thought gays had some special mission. "
Edmund White
Always
Never
Thought
Related Quotes:
" In a memoir, your main contract with the reader is to tell the truth, no matter how bizarre. "
Edmund White
Tell
Matter
How
" I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting. "
Edmund White
Writing
Gay
Stand
" I've accompanied several dying people on their travels, and the desert seems to be a favored destination. It is very hot and dry and lyrical in its own way. "
Edmund White
Hot
Dying
People
" I think I could be a cook. Everybody always says I'm good, though I think it's quite gruelling as a profession. "
Edmund White
Always
Good
Quite
" I've always seen writing as a way of telling the truth. For me, writing is about truth. I have always tried to be faithful to my own experience. "
Edmund White
Me
Truth
My Own
" I think that there are empty ecological niches in the literary landscape crying to be filled and when a book more or less fills a niche it's seized on, even when it's a far from perfect fit. "
Edmund White
Landscape
Book
Empty
" Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great. "
Edmund White
People
Most
Little
" Nothing lasts in New York. The life that is lived there, however, is as intense as it gets. "
Edmund White
Nothing
New
Lived
" Women and gay men have something in common after all: in that they are trying to deal with this goofy egotistical monster called a man. "
Edmund White
Trying
Monster
Man
" I can remember in the late 1980s and early 1990s how many men with AIDS I saw everywhere in Key West. There were hospices and medical supply stores geared to people with AIDS. It seemed that every sick man who could afford it had headed for the warmth and the tranquillity and the gay-friendliness of the island. "
Edmund White
Key
Remember
People
" I used to think that I could be successful if I pretended to be a 23-year-old black woman. I wanted to find a young black woman who would be willing to go in on this with me. I would write her novels, and then she would do the touring. I always thought I was too old and the wrong color. "
Edmund White
Woman
Me
Color
" When I was living in Paris in the '80s, I used to go out with an American model who couldn't speak French. But suddenly everyone could speak English because he was so cute. "
Edmund White
Go
Living
Paris
" In retrospect, we could see that the 1950s had been a reactionary period in America of Eisenhower blandness, of virulent anticommunism, of the 'Feminine Mystique.' "
Edmund White
America
1950s
Been
" Readers of novels often fall into the bad habit of being overly exacting about the characters' moral flaws. They apply to these fictional beings standards that no one they know in real life could possibly meet. "
Edmund White
Moral
Habit
Know
" As a young teenager I looked desperately for things to read that might excuse me or assure me I wasn't the only one, that might confirm an identity I was unhappily piecing together. "
Edmund White
Identity
Young
Things
" Perhaps no other body of literature is as subject to political pressures from within the community as gay fiction. "
Edmund White
Community
Gay
Political
" In a novel, I think you have a contract with the reader to make the character representative - of a moment in history, a social class... for instance, I wanted to make the boy in 'A Boy's Own Story' more like other gay men of my generation in their youth and not like me. "
Edmund White
Moment
History
Men
" Reading the several thousand pages of Christopher Isherwood's complete journals is an instructive corrective to the prissiness of reading fiction. Isherwood had faults that we'd say were unforgiveable in a novel (he was careful to distance himself from these in his autobiographical fiction). "
Edmund White
Fiction
Faults
Distance
" When I was a child, I loved 'The Marble Faun' by Nathaniel Hawthorne. The reason I liked it was because it had a beautiful binding. When you're a kid, you like books because they're pretty to look at, and this one had a white calfskin cover and gold edges. That was enough to make me love it. "
Edmund White
Loved
Beautiful
Child
" While writing 'City Boy,' I relied mainly on my own memories. In particular, I was able to describe the effect of gay liberation on an individual life (mine) as events paralleled my own growing self-acceptance; in this case, the political truly was the personal. "
Edmund White
Writing
City
Memories
" From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's nothing holy about it for me, but it should be serious, and it should be totally transparent. "
Edmund White
Age
Serious
Me
" Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section. "
Edmund White
Black
People
Look
" The culmination of a long struggle was 2013, which could clearly be labeled the Year of the Gay. State after state had legalized gay marriage, despite intense opposition from the religious right. "
Edmund White
Gay
Right
Long
" I didn't get anything published until I was thirty-three, and yet I'd written five novels and six or seven plays. The plays, I should point out, were dreadful. "
Edmund White
Out
Anything
Five
" Of course the success of A Boy's Own Story took me utterly off guard. "
Edmund White
Me
Boy
Story
" I've always deplored bad heterosexual values that dictate the minute a marriage is over the former partners no longer speak to each other; only straights could be so cruel and inhuman as to reject totally the person with whom they've shared their life for 20 or 30 years. "
Edmund White
Marriage
Speak
Values
" I've always been impelled to say the truth. When I was 14, in 1954, I already wrote a gay novel, though I'd never read one. I felt that life handed me a great subject, gay life, that had scarcely been examined, and I was impelled to record it in all its strange detail. "
Edmund White
Life
Me
Great
" Part of my problem as a young writer was that I was too much a New Yorker, always second-guessing the 'market.' I became so discouraged that I decided to write something that would please me alone - that became my sole criterion. And that was when I wrote 'Forgetting Elena,' the first novel I got published. "
Edmund White
Alone
Young
Too Much
" The first version of The Beautiful Room Is Empty was the first mss. I'd ever submitted to New York editors. "
Edmund White
Empty
Beautiful
New York
" 'The Sound of Things Falling' may be a page turner, but it's also a deep meditation on fate and death. Even in translation, the superb quality of Vasquez's prose is evident, captured in Anne McLean's idiomatic English version. All the novel's characters are well imagined, original and rounded. "
Edmund White
Fate
Meditation
Quality