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" I hate writing. I almost never write. I write against deadlines. And when I'm teaching, I'm focused on that. "
Edmund White
Hate
Against
Focused
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" Paris can be like the land of the Lotus-Eaters. You can't leave. "
Edmund White
Like
Paris
You
" I can remember in the late 1980s and early 1990s how many men with AIDS I saw everywhere in Key West. There were hospices and medical supply stores geared to people with AIDS. It seemed that every sick man who could afford it had headed for the warmth and the tranquillity and the gay-friendliness of the island. "
Edmund White
Key
Remember
People
" I was always ambitious - not to make money: to be published. "
Edmund White
Published
Always
Make
" I was never an assimilationist. I always thought gays had some special mission. "
Edmund White
Always
Never
Thought
" If bigots oppose gay marriage so vehemently, it must be because marriage is a defining institution for them; gays will never be fully accepted until they can marry and adopt, like anyone else. "
Edmund White
Marriage
Like
Will
" If I take a less defensive tone, I'd admit that I couldn't write today a very jazzy, contemporary look at America as I did in 1979 in States of Desire. "
Edmund White
Today
Look
Desire
" It always seemed much better to be a writer - a Real Writer - than a successful hack. "
Edmund White
Writer
Always
Better
" When I was in college, I was always saying I was a socialist. "
Edmund White
Socialist
Saying
College
" 'The Sound of Things Falling' may be a page turner, but it's also a deep meditation on fate and death. Even in translation, the superb quality of Vasquez's prose is evident, captured in Anne McLean's idiomatic English version. All the novel's characters are well imagined, original and rounded. "
Edmund White
Fate
Meditation
Quality
" The natural enmity between leaver and left is like the absolute, immediate and always shifting hostility between driver and pedestrian. "
Edmund White
Like
Always
Natural
" Part of my problem as a young writer was that I was too much a New Yorker, always second-guessing the 'market.' I became so discouraged that I decided to write something that would please me alone - that became my sole criterion. And that was when I wrote 'Forgetting Elena,' the first novel I got published. "
Edmund White
Alone
Young
Too Much
" I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist. "
Edmund White
Someone
People
Man
" When I was a child, I loved 'The Marble Faun' by Nathaniel Hawthorne. The reason I liked it was because it had a beautiful binding. When you're a kid, you like books because they're pretty to look at, and this one had a white calfskin cover and gold edges. That was enough to make me love it. "
Edmund White
Loved
Beautiful
Child
" In Paris, AIDS was dismissed as an American phobia until French people started dying; then everyone said, 'Well, you have to die some way or another.' If Americans were hysterical and pragmatic, the French were fatalistic: depressed but determined to keep the party going. "
Edmund White
You
People
American
" I think I'm very stoic. Death and dying are things that I'm used to. "
Edmund White
Very
Used
Think
" I always feel I'm better known in England than I am here in the U.S. Americans don't read that much, and the French are very good at knowing the names of everybody. "
Edmund White
Good
Feel
Names
" In retrospect, we could see that the 1950s had been a reactionary period in America of Eisenhower blandness, of virulent anticommunism, of the 'Feminine Mystique.' "
Edmund White
America
1950s
Been
" From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's nothing holy about it for me, but it should be serious, and it should be totally transparent. "
Edmund White
Age
Serious
Me
" First, I was opposed to gay marriage because it seemed like one more way that gays were wanting to assimilate. When I realized the Christian right was so opposed to it, as well as tyrannical governments in Africa and Russia, I thought, 'It must be a good thing to fight for.' "
Edmund White
Good
Gay
Fight
" I don't have to get married myself in order to campaign on behalf of gay marriage. "
Edmund White
Myself
Order
Campaign
" Of course the success of A Boy's Own Story took me utterly off guard. "
Edmund White
Me
Boy
Story
" The culmination of a long struggle was 2013, which could clearly be labeled the Year of the Gay. State after state had legalized gay marriage, despite intense opposition from the religious right. "
Edmund White
Gay
Right
Long
" There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing. "
Edmund White
Writing
Good
Great
" Nothing lasts in New York. The life that is lived there, however, is as intense as it gets. "
Edmund White
Nothing
New
Lived
" I longed for literary celebrity even as I saw with my own eyes how little happiness it brought. "
Edmund White
Eyes
Happiness
Own
" I used to think that I could be successful if I pretended to be a 23-year-old black woman. I wanted to find a young black woman who would be willing to go in on this with me. I would write her novels, and then she would do the touring. I always thought I was too old and the wrong color. "
Edmund White
Woman
Me
Color
" Originally, I was against gay marriage because I was opposed to all marriage, being an old-fashioned gay bohemian. The straight people I knew in the sixties were very much opposed to it. I was, too, and it was never a possibility for gays, but when I saw how opposed the Religious Right was to it, I thought it a fight worth fighting. "
Edmund White
Gay
Marriage
Fight
" I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting. "
Edmund White
Writing
Gay
Stand
" Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section. "
Edmund White
Black
People
Look
" I was working for Time-Life Books from 1962 to 1970, as a staff writer, and after that, I was a journalist. Eventually, I became an editor at 'The Saturday Review' and 'Horizon.' "
Edmund White
Working
Horizon
Review