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" The first version of The Beautiful Room Is Empty was the first mss. I'd ever submitted to New York editors. "
Edmund White
Empty
Beautiful
New York
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" There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing. "
Edmund White
Writing
Good
Great
" I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting. "
Edmund White
Writing
Gay
Stand
" It always seemed much better to be a writer - a Real Writer - than a successful hack. "
Edmund White
Writer
Always
Better
" I hate writing. I almost never write. I write against deadlines. And when I'm teaching, I'm focused on that. "
Edmund White
Hate
Against
Focused
" There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach. "
Edmund White
People
Wind
Eating
" The natural enmity between leaver and left is like the absolute, immediate and always shifting hostility between driver and pedestrian. "
Edmund White
Like
Always
Natural
" Some writers are so enthralled by ideas (one thinks of Doris Lessing) that their characters become debaters, and their fables approach allegory. "
Edmund White
Some
Thinks
Approach
" My father was a misanthrope who slept all day and stayed up all night so that he wouldn't have to see people. He ran a business with a large staff but would go there at night and leave things for them to do during the day when he wasn't there. "
Edmund White
Father
Day
People
" My father was a sort of John Wayne Texan who'd worked as a cowboy when he was young. He'd participated in rattlesnake round-ups and swum with copperheads. "
Edmund White
Cowboy
John
Sort
" Nothing lasts in New York. The life that is lived there, however, is as intense as it gets. "
Edmund White
Nothing
New
Lived
" I didn't get anything published until I was thirty-three, and yet I'd written five novels and six or seven plays. The plays, I should point out, were dreadful. "
Edmund White
Out
Anything
Five
" I do probably come down a little hard on a group of people I call the 'blue chip gays.' I mean people who have managed to become very, very famous and are still very famous partly through staying in the closet, like Jasper Johns, Cy Twombly, Susan Sontag, Harold Brodkey and others. "
Edmund White
People
Blue
Down
" 'The Sound of Things Falling' may be a page turner, but it's also a deep meditation on fate and death. Even in translation, the superb quality of Vasquez's prose is evident, captured in Anne McLean's idiomatic English version. All the novel's characters are well imagined, original and rounded. "
Edmund White
Fate
Meditation
Quality
" My mother was terribly invasive, all in the name of psychiatric honesty. It was a bad thing in some ways, but I do think it had the effect of making me interested in 'the truth' as a writer - more than beauty, more than having a shapely story. "
Edmund White
Truth
Beauty
Honesty
" The talk shows in the States want celebrities, not authors. In France, it is different; writers are called upon to comment on everything. They have a very public role there. "
Edmund White
Talk
Everything
Role
" If I take a less defensive tone, I'd admit that I couldn't write today a very jazzy, contemporary look at America as I did in 1979 in States of Desire. "
Edmund White
Today
Look
Desire
" I'm an atheist, I always thought, 'This is it.' If there is going to be a heaven, it should be on earth. I feel much happier than most people. I'm fairly stoic about death, but I'm not keen on dying if it's going to be long and protracted. I don't have dark nights of the soul, except occasionally. I'm such a little busy bee. "
Edmund White
Soul
Thought
People
" I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist. "
Edmund White
Someone
People
Man
" I think that there are empty ecological niches in the literary landscape crying to be filled and when a book more or less fills a niche it's seized on, even when it's a far from perfect fit. "
Edmund White
Landscape
Book
Empty
" In the 1970s in New York, everyone slept till noon. It was a grungy, dangerous, bankrupt city without normal services most of the time. The garbage piled up and stank during long strikes by the sanitation workers. A major blackout led to days and days of looting. The city seemed either frightening or risible to the rest of the nation. "
Edmund White
City
Long
Nation
" While writing 'City Boy,' I relied mainly on my own memories. In particular, I was able to describe the effect of gay liberation on an individual life (mine) as events paralleled my own growing self-acceptance; in this case, the political truly was the personal. "
Edmund White
Writing
City
Memories
" In 'A Boy's Own Story' and 'Jack Holmes and His Friend,' my idea was to take someone totally different from my real self and, at the same time, to assign to him my own life trajectory. "
Edmund White
Boy
Friend
Time
" Fiction is the thing I esteem most in my own work; I feel that, even if it's no good, only I could have written those books. "
Edmund White
Feel
Books
Good
" In the middle of my sophomore year, I was sent to boarding school, at the Cranbrook School for boys, in Bloomfield Hills, Michigan, where I fell in love with Marilyn Monroe. I knew that she was the most beautiful woman in the world, and yet she was in pain, in need. She was unhappy. I believed that I could help her. "
Edmund White
Beautiful Woman
Love
Woman
" I was always ambitious - not to make money: to be published. "
Edmund White
Published
Always
Make
" I never liked my father. He really was a dullard and misanthrope. My mother and he were married for 22, years and it was an ill match. She encouraged me to be a writer. She opened her home to black friends, and this was the 1950s. She didn't care later when I write about her. "
Edmund White
Care
Home
Father
" As a young teenager I looked desperately for things to read that might excuse me or assure me I wasn't the only one, that might confirm an identity I was unhappily piecing together. "
Edmund White
Identity
Young
Things
" Looking back, I can see that the women I loved, at least early on, were status symbols. I suppose, in that sense, I was my mother's true disciple. She'd taught me that a good man, though elusive, could transform one's whole life once he was caught. "
Edmund White
Good
Life
Women
" When I was living in Paris in the '80s, I used to go out with an American model who couldn't speak French. But suddenly everyone could speak English because he was so cute. "
Edmund White
Go
Living
Paris
" Part of my problem as a young writer was that I was too much a New Yorker, always second-guessing the 'market.' I became so discouraged that I decided to write something that would please me alone - that became my sole criterion. And that was when I wrote 'Forgetting Elena,' the first novel I got published. "
Edmund White
Alone
Young
Too Much