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" I was raised to believe that other people's suffering was my responsibility. "
George C. Wolfe
Responsibility
Suffering
Other
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" Every single wave, when I was overwhelmed and poor and struggling in New York, there were these extraordinary people in New York who said, 'Come this way.' "
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Way
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Said
" Musicals spring forth from minstrelsy, vaudeville, melodramas; it was all these things combined to create the form. "
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Spring
Things
Create
" The best of any artist is in their art. "
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Any
Artist
Best
" Theater should address the stories of its communities, or I don't know why it's here. "
George C. Wolfe
Theater
Why
Stories
" On different projects, different pieces of you will show up. Sometimes it's surprising which piece shows up. "
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You
Show
Sometimes
" I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me. "
George C. Wolfe
White
Color
I Am
" Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist. "
George C. Wolfe
Unique
Vision
Artist
" Broadway was very vital back in the '20s. There were probably close to hundreds of productions that opened up through the course of the year and through the course of a Broadway season. "
George C. Wolfe
Through
Year
Season
" As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's Island,' or 'Hamlet' and look beyond the specifics of it - whether it be silly white people on an island or a family living in Nowheres or a Danish person - to leap past the specifics and find the human truths that have to do with me. "
George C. Wolfe
Past
People
Me
" 'Jelly,' more than any black musical before it, celebrated the majesty, the purity, the joy of so many artists who are unable to fully embody these same qualities in their own lives. "
George C. Wolfe
Own
Same
Black
" I pride myself on being available to as many people's stories as I possibly can. "
George C. Wolfe
People
Being
Stories
" The world doesn't see a lot of gray. The world sees black and white, and then it understands. "
George C. Wolfe
Black And White
White
Black
" My first play, 'The Colored Museum,' was done in '86 at the Public Theater. "
George C. Wolfe
First
Museum
Play
" When I was on dialysis, I willed myself to do 'On the Town.' It accesses my most childlike, joyful love of theater. "
George C. Wolfe
Myself
Most
Love
" I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers. "
George C. Wolfe
Creative
Fear
Best
" I'm convinced whenever something opens on Broadway, it's a miracle. It's a miracle that people survived. "
George C. Wolfe
Broadway
People
Something
" I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy. "
George C. Wolfe
Community
Feel
Myself
" I could program a 'fabulous, I love it' kind of hit season right now. I'm more interested in breaking boundaries, telling a story, defying a truth that has been accepted. "
George C. Wolfe
Right
Kind
Love
" A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing. "
George C. Wolfe
Song
Heart
Helicopter
" If I hadn't told stories, I would've been a historian. "
George C. Wolfe
Been
Stories
Historian
" I love Kabuki, Noh theater and bunraku. "
George C. Wolfe
I Love
Love
Theater
" I'm interested in exploring how an individual maintains a sense of power in a world that tends to make individuals feel powerless. "
George C. Wolfe
Sense
Exploring
Feel
" Ultimately, theatre is about creating a sense of wonder, and I think wonder is achieved not by a kind of wide-eyed silliness but by being available to that which is most unknown, inside the material and inside yourself. "
George C. Wolfe
Theatre
Kind
Think
" The black experience, which has nothing to do with my play 'Angels in America,' allowed me to understand the Mormon character. He was the character that couldn't come out to his mother. It allowed me to understand emotional and closeted behavior, because you're so acutely aware of how you're perceived. "
George C. Wolfe
Mother
Character
America
" I was obsessed with New York early on. I was watching sitcoms that were set in or around New York, like 'The Dick Van Dyke Show.' I was always very fascinated with the people who were on 'What's My Line?' and I always had an incredible obsession with the city. "
George C. Wolfe
Always
City
New York
" Our lives are connected in ways we can't imagine. They're connected even before we know they're connected. "
George C. Wolfe
Before
Connected
Even
" AIDS is a shared truth - it's not selective in its wrath. "
George C. Wolfe
Shared
Wrath
AIDS
" I love and I'm intrigued by what history does to people and to subjects that matter. "
George C. Wolfe
Matter
People
Subjects
" Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it's a folk-art form, really, at its best. At different times, I've tried to push against it as much as I possibly could, but ultimately, it is a folk-art form. "
George C. Wolfe
Writing
Best
Mind
" Everybody wants to be remembered for the best of who they are. "
George C. Wolfe
Remembered
Everybody
Best