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" If the world's nations can set aside their petty bickering over religion, politics, and territory, certainly I can 'get that Olympic Spirit' and rise above my prejudices. "
Colson Whitehead
World
Rise Above
Religion
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" I try to keep each different book different from the last. So 'Sag Harbor' is very different from 'Apex Hides the Hurt;' 'The Intuitionist,' which is kind of a detective novel, is very different from 'John Henry Days.' I'm just trying to keep things rich for me creatively and for the readers who follow me. "
Colson Whitehead
Trying
Kind
Me
" Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book. "
Colson Whitehead
Moment
You
Culture
" Write what you know. "
Colson Whitehead
Write
You
Know
" I'm not a representative of blackness, and I'm not a healer. "
Colson Whitehead
Representative
Healer
Blackness
" I always try to mix it up with each book - changing tone, changing style keeps the work very vital for me. "
Colson Whitehead
Work
Try
Me
" I'm someone who just likes being in my cave and thinking up weird stuff. "
Colson Whitehead
Cave
Someone
Up
" What isn't said is as important as what is said. "
Colson Whitehead
Important
Said
" For me, choosing between fiction and nonfiction is really only about picking the right tool for the job. "
Colson Whitehead
Only
Tool
Right
" 'Zone One' has one kind of an apocalypse, and 'The Underground Railroad' another. In both cases, the narrators are animated by a hope in a better place of refuge - in the last surviving human outpost, Up North. Does it exist? They can only believe. "
Colson Whitehead
Railroad
Believe
Place
" When I'm working on a book, I try to do eight pages a week. That seems like a good amount. Less than that, I'm not getting a nice momentum, and more than that, I'm probably putting out too much crap. "
Colson Whitehead
Book
Good
Momentum
" I enjoy thinking about how race plays out over the centuries, how technology evolves, how cities transform themselves. These subjects are present in some of my books and absent in others. "
Colson Whitehead
Over
Race
Technology
" 'John Henry Days' was already half in the can before my first book came out, so I'd already started something that was big and sprawling - I just had to finish it. "
Colson Whitehead
Started
First
Finish
" I wrote a book of essays about New York called 'The Colossus of New York,' but it's not about - you know, when I'm writing about rush hour or Central Park, it's not a black Central Park, it's just Central Park, and it's not a black rush hour, it's just rush hour. "
Colson Whitehead
Writing
Black
Book
" I write at home. I like to be able to take a nap, watch TV, make a sandwich, and if I wake up and don't feel like working, I'm not going to bang my head on my desk all day: I'll go out and do something else. "
Colson Whitehead
Watch
Home
Nap
" I was 7 years old when 'Roots' was first broadcast, and my parents gathered all us kids around the TV to learn about how we got here. But it wasn't until I sat down and immersed myself in the research that I got the barest inkling of what it meant to be a slave. "
Colson Whitehead
Research
Myself
Parents
" In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it. "
Colson Whitehead
King
You
Civil Rights
" I wanted to be one of these multidisciplinary critics who is doing music one day, TV the next, and books the next. "
Colson Whitehead
Next
Books
Day
" Part of any book is establishing the rules at the end of the world. My first book, 'The Intuitionist,' takes place in an alternative world where elevator inspectors are important, so you have to establish rules, and part of that is, How do people talk? How do they behave? "
Colson Whitehead
Book
Rules
Place
" Once I got to college, it seemed that the Hamptons were a little bit too posh for me and didn't represent the kind of values I was embracing in my late teens. So, I didn't go out there, except to visit my parents, for a long time. And then, after 9/11, I discovered it was a nice, mellow place to hang out. "
Colson Whitehead
Time
Me
College
" Generally, I walk around in a glum mood. "
Colson Whitehead
Generally
Walk
Around
" In America, when you hear about the Underground Railroad, it's so evocative. You think it's a literal subway for a few minutes before your teacher goes on and describes where it actually was. "
Colson Whitehead
Railroad
You
America
" Zombies are a great rhetorical prop to talk about people and paranoia, and they are a good vehicle for my misanthropy. "
Colson Whitehead
Good
Paranoia
People
" In college, I wrote maybe three short stories. "
Colson Whitehead
Short
Maybe
College
" Other people have hang-ups about what's literary or genre or whatever, and that's sort of not my problem. You're supposed to write what you have to write, and you're supposed to keep moving. "
Colson Whitehead
You
Moving
Write
" A lot of my books have started with an abstract premise. "
Colson Whitehead
Premise
Books
Abstract
" I love getting out of the Q train at Union Square. It's such a mix of people, like a party. There's always an errand you can do along there, whether it's picking up contacts or buying poker chips. "
Colson Whitehead
Train
Party
Love
" I'm of that subset of native New Yorkers who can't drive. "
Colson Whitehead
New
Native
New Yorkers
" I like to explore different ideas of race, how the concept of race has evolved in the country. It's one thing I enjoy talking about, but I don't feel compelled to talk about it. "
Colson Whitehead
Race
Ideas
Feel
" If you go to a big publishing house, editorial aside, it's completely white. "
Colson Whitehead
White
Publishing
Big
" You can't rush inspiration. "
Colson Whitehead
You
Rush
Inspiration