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" In 'A Boy's Own Story' and 'Jack Holmes and His Friend,' my idea was to take someone totally different from my real self and, at the same time, to assign to him my own life trajectory. "
Edmund White
Boy
Friend
Time
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" America thrives on identity politics, left and right. But France is opposed to the idea. Since the Revolution, the French have enthroned the idea of universalism. All of us must be equal before the law as abstract individuals, and that extends to the arts. "
Edmund White
Identity
Law
Politics
" AIDS had won gays sympathy; they no longer seemed the privileged brats that the general populace had resented in the 1970s. "
Edmund White
Won
AIDS
Privileged
" Paradoxically, since gay men rarely have gay parents, cultural transmission must come from friends or strangers (a problem since the generations so seldom mix in gay life). "
Edmund White
Friends
Problem
Parents
" Nothing lasts in New York. The life that is lived there, however, is as intense as it gets. "
Edmund White
Nothing
New
Lived
" The culmination of a long struggle was 2013, which could clearly be labeled the Year of the Gay. State after state had legalized gay marriage, despite intense opposition from the religious right. "
Edmund White
Gay
Right
Long
" Early on, after gay liberation, there was an almost Stalinist pressure from gay critics and even gay readers to write about positive role models. We were never supposed to write negative things about gays, or else we were seen as collaborating with the enemy. "
Edmund White
Gay
Early
Negative
" My father was a misanthrope who slept all day and stayed up all night so that he wouldn't have to see people. He ran a business with a large staff but would go there at night and leave things for them to do during the day when he wasn't there. "
Edmund White
Father
Day
People
" 'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative. "
Edmund White
Solitude
Beginning
Endure
" I was always ambitious - not to make money: to be published. "
Edmund White
Published
Always
Make
" I never liked my father. He really was a dullard and misanthrope. My mother and he were married for 22, years and it was an ill match. She encouraged me to be a writer. She opened her home to black friends, and this was the 1950s. She didn't care later when I write about her. "
Edmund White
Care
Home
Father
" In the middle of my sophomore year, I was sent to boarding school, at the Cranbrook School for boys, in Bloomfield Hills, Michigan, where I fell in love with Marilyn Monroe. I knew that she was the most beautiful woman in the world, and yet she was in pain, in need. She was unhappy. I believed that I could help her. "
Edmund White
Beautiful Woman
Love
Woman
" I can remember in the late 1980s and early 1990s how many men with AIDS I saw everywhere in Key West. There were hospices and medical supply stores geared to people with AIDS. It seemed that every sick man who could afford it had headed for the warmth and the tranquillity and the gay-friendliness of the island. "
Edmund White
Key
Remember
People
" Reading the several thousand pages of Christopher Isherwood's complete journals is an instructive corrective to the prissiness of reading fiction. Isherwood had faults that we'd say were unforgiveable in a novel (he was careful to distance himself from these in his autobiographical fiction). "
Edmund White
Fiction
Faults
Distance
" Looking back, I can see that the women I loved, at least early on, were status symbols. I suppose, in that sense, I was my mother's true disciple. She'd taught me that a good man, though elusive, could transform one's whole life once he was caught. "
Edmund White
Good
Life
Women
" As a young teenager I looked desperately for things to read that might excuse me or assure me I wasn't the only one, that might confirm an identity I was unhappily piecing together. "
Edmund White
Identity
Young
Things
" The French are pretty thin-skinned. The few times I mentioned a French writer in 'City Boy,' the relatives would ring up in high dudgeon. I once wrote a mocking review of Marguerite Duras in the 'New York Review of Books,' and good friends of mine in France got very angry. "
Edmund White
New York
Angry
City
" Of course the success of A Boy's Own Story took me utterly off guard. "
Edmund White
Me
Boy
Story
" While writing 'City Boy,' I relied mainly on my own memories. In particular, I was able to describe the effect of gay liberation on an individual life (mine) as events paralleled my own growing self-acceptance; in this case, the political truly was the personal. "
Edmund White
Writing
City
Memories
" In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc. "
Edmund White
Man
Experience
Book
" One of the side benefits of staying in the closet is you can have a much bigger career. "
Edmund White
Bigger
Career
Closet
" In the 1970s in New York, everyone slept till noon. It was a grungy, dangerous, bankrupt city without normal services most of the time. The garbage piled up and stank during long strikes by the sanitation workers. A major blackout led to days and days of looting. The city seemed either frightening or risible to the rest of the nation. "
Edmund White
City
Long
Nation
" I think I could be a cook. Everybody always says I'm good, though I think it's quite gruelling as a profession. "
Edmund White
Always
Good
Quite
" Everyone seems agreed that writing about sex is perilous, partly because it threatens to swamp highly individualised characters in a generic, featureless activity (much like coffee-cup dialogue, during which everyone sounds the same), and partly because it feels... tacky. "
Edmund White
Dialogue
Writing
Sex
" My mother was terribly invasive, all in the name of psychiatric honesty. It was a bad thing in some ways, but I do think it had the effect of making me interested in 'the truth' as a writer - more than beauty, more than having a shapely story. "
Edmund White
Truth
Beauty
Honesty
" In a novel, I think you have a contract with the reader to make the character representative - of a moment in history, a social class... for instance, I wanted to make the boy in 'A Boy's Own Story' more like other gay men of my generation in their youth and not like me. "
Edmund White
Moment
History
Men
" When my lover Hubert Sorin was dying of AIDS, he was always trying to fix me up - posthumously, as it were - with the cute busboy at the hotel. "
Edmund White
Hotel
Cute
Always
" Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section. "
Edmund White
Black
People
Look
" Barack Obama's decision to come out in favour of gay marriage may be a historic occasion, but it is not an isolated one. His administration has been making pro-gay noises for some time; his demographic in the upcoming election is young and educated, precisely the group that favours equality for the LGBT community. "
Edmund White
Gay
Decision
Time
" I longed for literary celebrity even as I saw with my own eyes how little happiness it brought. "
Edmund White
Eyes
Happiness
Own
" Sometimes Peggy herself would sell tickets to her museum, and if tourists asked her if Mrs. Guggenheim was still alive, she'd assure them she wasn't. "
Edmund White
Her
Alive
Sometimes