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" In America , there's a just-add-water reality TV world in which people expect to get their Warholian 15 minutes of fame. "
Kehinde Wiley
World
America
Fame
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" I've jokingly painted some of my favorite collectors as black men, so there's a really great portrait of David LaChapelle, the photographer - my version of him - that's in his collection. "
Kehinde Wiley
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" I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture. "
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" You don't hire Kehinde Wiley to have a tame painting. "
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" Once I get a project in my head, I start getting really obsessive about it. "
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" What you have in my work is one person's path as he travels through the world, and there is no limitation of what is conceivable. "
Kehinde Wiley
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World
" I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me. "
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" This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures. "
Kehinde Wiley
Hip-Hop
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" I need to open a restaurant, a big soul food restaurant in Beijing! "
Kehinde Wiley
Food
Big
Restaurant
" My love affair with painting is bittersweet. "
Kehinde Wiley
Affair
Bittersweet
Painting
" The way we think about a presidential portrait is one that is imbued with dignity from the outset. "
Kehinde Wiley
About
Dignity
Portrait
" What's interesting about the 21st century is how people deal with cultural history. We don't necessarily feel like there are discrete categories. We consume it as a complete package, whether it's down the street or on the other side of the globe. "
Kehinde Wiley
Interesting
Street
History
" Obama stands as a signal that this nation will continue to redefine what it means to push beyond the borders of what's possible. "
Kehinde Wiley
Push
Beyond
Nation
" The games I'm playing have much more to do with using the language of power and the vocabulary of power to construct new sentences. It's about pointing to empire and control and domination and misogyny and all those social ills in the work, but it's not necessarily taking a position. Oftentimes, it's actually embodying it. "
Kehinde Wiley
Work
Control
Games
" What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms. "
Kehinde Wiley
Choice
Own
Celebrate
" Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with. "
Kehinde Wiley
Unknown
Sit
Deal
" I think there's something important in going against the grain and perhaps finding value in things that aren't necessarily institutionally recognized. "
Kehinde Wiley
Value
Important
Finding
" I think I've come through the art-industrial complex - I've been educated in some of the best institutions and been privy to some of the insider conversations around theory and the evolution of art. "
Kehinde Wiley
Think
Evolution
Educated
" The reality of Barack Obama being the president of the United States - quite possibly the most powerful nation in the world - means that the image of power is completely new for an entire generation of not only black American kids but every population group in this nation. "
Kehinde Wiley
Powerful
Power
Black
" I've fished everywhere I've traveled. "
Kehinde Wiley
Traveled
Everywhere
" I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level. "
Kehinde Wiley
Remember
Time
Painting
" My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint. "
Kehinde Wiley
Matter
Up
Work
" In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle. "
Kehinde Wiley
Black
Work
Men
" When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art as a provocation. I think I am at my best when I push myself into a place where I don't have all the answers. "
Kehinde Wiley
Best
Myself
Place
" Art in the age of the digital image is completely different from experiencing art in physical form. "
Kehinde Wiley
Art
Image
Digital
" My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world. "
Kehinde Wiley
Much
World
Production
" I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do. "
Kehinde Wiley
People
Black
Looking
" One of the things that has inspired me so much is knowing that I felt like I could never measure up. "
Kehinde Wiley
Never
Knowing
Me
" There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and reaching towards those standards. "
Kehinde Wiley
Slavery
Best
Gender
" I taught myself to paint African-Americans, mostly people roughly my skin tone. "
Kehinde Wiley
Paint
Skin
People
" The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what people have any interest in thinking about, talking about, or even looking at. "
Kehinde Wiley
World
People
Thinking