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" In real life, a lot of people at that level will have their kimonos made especially for them. "
Colleen Atwood
Will
Real
Lot
Related Quotes:
" I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration. "
Colleen Atwood
Production
Inspiration
Chicago
" I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else. "
Colleen Atwood
Create
Time
Learn
" I've always loved movies, art and clothes. "
Colleen Atwood
Loved
Movies
Clothes
" The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me. "
Colleen Atwood
Beautiful
Ideas
Great
" On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials. "
Colleen Atwood
Good
Looking
Street
" I have watched 'Project Runway,' but I'm not a devout watcher of it. But I think it's a great show, what I've seen of it, and I think Tim Gunn is a very positive, amazing guy. "
Colleen Atwood
Think
Amazing
Great
" I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me. "
Colleen Atwood
Moment
Know
Kind
" I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit. "
Colleen Atwood
You
Character
Design
" In Chicago, I walked in knowing what the dancers were going to need. "
Colleen Atwood
Need
Dancers
Chicago
" As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong? "
Colleen Atwood
You
Doing
Law
" If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story. "
Colleen Atwood
Dress
Picture
Color
" I always loved clothes, just not clothes that were appropriate to the place I grew up in. "
Colleen Atwood
Always
Up
Place
" One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. "
Colleen Atwood
Challenges
Different
People
" The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all. "
Colleen Atwood
Reality
People
World
" I choose colors I like and will photograph well. I don't do color theory! "
Colleen Atwood
Photograph
Color
Choose
" I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. "
Colleen Atwood
People
Change
Day
" I love designing costumes that I can actually construct, working to create an environment that people want to be in. "
Colleen Atwood
I Can
Create
People
" I don't design my own clothes. It's so not what I think about. "
Colleen Atwood
My Own
Think
Own
" Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie. "
Colleen Atwood
Lot
Hollow
Even
" I get more distracted by hair or a really bad wig than I do costumes any day of the week. "
Colleen Atwood
Bad
Hair
More
" Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are. "
Colleen Atwood
First Impression
Open
You
" I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for. "
Colleen Atwood
Back
Design
Fashion
" Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. "
Colleen Atwood
Makeup
You
Perception
" My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space. "
Colleen Atwood
Treat
Work
Negative
" Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me. "
Colleen Atwood
Art
Street
Process
" I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers. "
Colleen Atwood
Layers
Say
Research
" For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span. "
Colleen Atwood
Think
Beautiful
Fashion
" Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie. "
Colleen Atwood
Work
Challenge
Action
" It's often said that costume designers are a faceless group of people. But we can contribute to fashion in a way that might be new and different. "
Colleen Atwood
Group
New
People
" As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things. "
Colleen Atwood
Beautiful
Problems
People