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" I love designing costumes that I can actually construct, working to create an environment that people want to be in. "
Colleen Atwood
I Can
Create
People
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" In real life, a lot of people at that level will have their kimonos made especially for them. "
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" I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out. "
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" Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. "
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" I've always loved movies, art and clothes. "
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" It's true that I'm not cozy. I'm more reserved. "
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Reserved
" For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span. "
Colleen Atwood
Think
Beautiful
Fashion
" It's fun conjuring what people will be wearing in the future. We exist in this world today, and yet there are people walking around who still look like they're in the '60s. "
Colleen Atwood
World
Today
Fun
" Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie. "
Colleen Atwood
Lot
Hollow
Even
" I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. "
Colleen Atwood
People
Change
Day
" I get more distracted by hair or a really bad wig than I do costumes any day of the week. "
Colleen Atwood
Bad
Hair
More
" My own style is pretty classic; I much prefer to design for others. "
Colleen Atwood
My Own
Much
Design
" I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly. "
Colleen Atwood
World
Looking
Me
" I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing. "
Colleen Atwood
Loved
Small
Parents
" I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me. "
Colleen Atwood
Moment
Know
Kind
" One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work. "
Colleen Atwood
Think
People
Design
" The thing that's great about being a costume designer is you never know what's going to be next; you never what world you are going to enter. "
Colleen Atwood
Never
Costume
Great
" I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else. "
Colleen Atwood
Create
Time
Learn
" Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are. "
Colleen Atwood
First Impression
Open
You
" If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story. "
Colleen Atwood
Dress
Picture
Color
" The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired. "
Colleen Atwood
Today
Eyes
Gone
" Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses. "
Colleen Atwood
Fashion
Research
Design
" I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit. "
Colleen Atwood
You
Character
Design
" One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. "
Colleen Atwood
Challenges
Different
People
" People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume. "
Colleen Atwood
You
Fashion
People
" My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space. "
Colleen Atwood
Treat
Work
Negative
" I had to work out that it was something that could move, without having everybody in spray painted leotards. "
Colleen Atwood
Work
Without
Something
" The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all. "
Colleen Atwood
Reality
People
World
" It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth. "
Colleen Atwood
Men
Costumes
Good-Looking
" Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work. "
Colleen Atwood
Diversity
Detail
Love
" It's often said that costume designers are a faceless group of people. But we can contribute to fashion in a way that might be new and different. "
Colleen Atwood
Group
New
People