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" I've always loved movies, art and clothes. "
Colleen Atwood
Loved
Movies
Clothes
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" As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong? "
Colleen Atwood
You
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" I have watched 'Project Runway,' but I'm not a devout watcher of it. But I think it's a great show, what I've seen of it, and I think Tim Gunn is a very positive, amazing guy. "
Colleen Atwood
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Amazing
Great
" I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly. "
Colleen Atwood
World
Looking
Me
" It's often said that costume designers are a faceless group of people. But we can contribute to fashion in a way that might be new and different. "
Colleen Atwood
Group
New
People
" I get more distracted by hair or a really bad wig than I do costumes any day of the week. "
Colleen Atwood
Bad
Hair
More
" I love designing costumes that I can actually construct, working to create an environment that people want to be in. "
Colleen Atwood
I Can
Create
People
" I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers. "
Colleen Atwood
Layers
Say
Research
" As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things. "
Colleen Atwood
Beautiful
Problems
People
" I had to work out that it was something that could move, without having everybody in spray painted leotards. "
Colleen Atwood
Work
Without
Something
" I wanted to be a painter when I was a kid. And then, I had to make a living. I had a child when I was in high school, so I kind of had that work phase in my life. "
Colleen Atwood
School
Work
Kind
" I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out. "
Colleen Atwood
Inside
Loved
Beautiful
" It's fun conjuring what people will be wearing in the future. We exist in this world today, and yet there are people walking around who still look like they're in the '60s. "
Colleen Atwood
World
Today
Fun
" One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work. "
Colleen Atwood
Think
People
Design
" Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. "
Colleen Atwood
Makeup
You
Perception
" It's great fun that my grandkids get to see the costumes in 'Alice in Wonderland' or a doll with grandma's dress, but then they also let me know they're bummed I didn't do any of the 'Pirates of the Caribbean' movies. "
Colleen Atwood
Dress
Fun
Great
" When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture. "
Colleen Atwood
Picture
Work
Time
" I don't design my own clothes. It's so not what I think about. "
Colleen Atwood
My Own
Think
Own
" Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work. "
Colleen Atwood
Diversity
Detail
Love
" I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit. "
Colleen Atwood
You
Character
Design
" Some of the kimonos took as long as four to five months to make, with all the layers that go into it. "
Colleen Atwood
Five
Long
Some
" The right costume determines the character, helps the actor feel who he is, and serves the story. "
Colleen Atwood
Character
Story
Right
" In Chicago, I walked in knowing what the dancers were going to need. "
Colleen Atwood
Need
Dancers
Chicago
" I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. "
Colleen Atwood
People
Change
Day
" Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie. "
Colleen Atwood
Work
Challenge
Action
" Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses. "
Colleen Atwood
Fashion
Research
Design
" I always loved clothes, just not clothes that were appropriate to the place I grew up in. "
Colleen Atwood
Always
Up
Place
" Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me. "
Colleen Atwood
Art
Street
Process
" I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me. "
Colleen Atwood
Moment
Know
Kind
" One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. "
Colleen Atwood
Challenges
Different
People
" Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie. "
Colleen Atwood
Lot
Hollow
Even