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" It's true that I'm not cozy. I'm more reserved. "
Colleen Atwood
Cozy
True
Reserved
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" I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me. "
Colleen Atwood
Moment
Know
Kind
" People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume. "
Colleen Atwood
You
Fashion
People
" I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit. "
Colleen Atwood
You
Character
Design
" I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing. "
Colleen Atwood
Loved
Small
Parents
" Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie. "
Colleen Atwood
Lot
Hollow
Even
" Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles. "
Colleen Atwood
Trying
Suit
Class
" On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials. "
Colleen Atwood
Good
Looking
Street
" I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out. "
Colleen Atwood
Inside
Loved
Beautiful
" Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work. "
Colleen Atwood
Diversity
Detail
Love
" I think a lot of young girls go through that period in their life of finding who they are, and at that point, looking good matters the most. "
Colleen Atwood
Finding
Think
Looking
" I always loved clothes, just not clothes that were appropriate to the place I grew up in. "
Colleen Atwood
Always
Up
Place
" I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly. "
Colleen Atwood
World
Looking
Me
" One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. "
Colleen Atwood
Challenges
Different
People
" The right costume determines the character, helps the actor feel who he is, and serves the story. "
Colleen Atwood
Character
Story
Right
" I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else. "
Colleen Atwood
Create
Time
Learn
" In Chicago, I walked in knowing what the dancers were going to need. "
Colleen Atwood
Need
Dancers
Chicago
" For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span. "
Colleen Atwood
Think
Beautiful
Fashion
" Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses. "
Colleen Atwood
Fashion
Research
Design
" If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story. "
Colleen Atwood
Dress
Picture
Color
" As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things. "
Colleen Atwood
Beautiful
Problems
People
" Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. "
Colleen Atwood
Makeup
You
Perception
" I have watched 'Project Runway,' but I'm not a devout watcher of it. But I think it's a great show, what I've seen of it, and I think Tim Gunn is a very positive, amazing guy. "
Colleen Atwood
Think
Amazing
Great
" My own style is pretty classic; I much prefer to design for others. "
Colleen Atwood
My Own
Much
Design
" I choose colors I like and will photograph well. I don't do color theory! "
Colleen Atwood
Photograph
Color
Choose
" It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth. "
Colleen Atwood
Men
Costumes
Good-Looking
" I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. "
Colleen Atwood
People
Change
Day
" One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work. "
Colleen Atwood
Think
People
Design
" Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me. "
Colleen Atwood
Art
Street
Process
" I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration. "
Colleen Atwood
Production
Inspiration
Chicago
" I grew up in the age of polyester. When I got to touch real silk, cotton and velvet, the feel of nonsynthetic fabrics blew me away. I know it's important how clothing looks, but it's equally important how it feels on your skin. "
Colleen Atwood
Feel
Skin
Important