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" I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out. "
Colleen Atwood
Inside
Loved
Beautiful
Related Quotes:
" The costumes had to serve the choreography. "
Colleen Atwood
Costumes
Had
Serve
" One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work. "
Colleen Atwood
Think
People
Design
" I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me. "
Colleen Atwood
Moment
Know
Kind
" Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me. "
Colleen Atwood
Art
Street
Process
" I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly. "
Colleen Atwood
World
Looking
Me
" When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture. "
Colleen Atwood
Picture
Work
Time
" I have watched 'Project Runway,' but I'm not a devout watcher of it. But I think it's a great show, what I've seen of it, and I think Tim Gunn is a very positive, amazing guy. "
Colleen Atwood
Think
Amazing
Great
" Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses. "
Colleen Atwood
Fashion
Research
Design
" I love designing costumes that I can actually construct, working to create an environment that people want to be in. "
Colleen Atwood
I Can
Create
People
" I had to work out that it was something that could move, without having everybody in spray painted leotards. "
Colleen Atwood
Work
Without
Something
" It's true that I'm not cozy. I'm more reserved. "
Colleen Atwood
Cozy
True
Reserved
" As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things. "
Colleen Atwood
Beautiful
Problems
People
" I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else. "
Colleen Atwood
Create
Time
Learn
" The thing that's great about being a costume designer is you never know what's going to be next; you never what world you are going to enter. "
Colleen Atwood
Never
Costume
Great
" I've always loved movies, art and clothes. "
Colleen Atwood
Loved
Movies
Clothes
" The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all. "
Colleen Atwood
Reality
People
World
" My own style is pretty classic; I much prefer to design for others. "
Colleen Atwood
My Own
Much
Design
" Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles. "
Colleen Atwood
Trying
Suit
Class
" I really don't over-theorize about design. I'd rather feel it than talk it to death. A lot happens as you unroll the design. "
Colleen Atwood
Death
Happens
Talk
" The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me. "
Colleen Atwood
Beautiful
Ideas
Great
" It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth. "
Colleen Atwood
Men
Costumes
Good-Looking
" I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for. "
Colleen Atwood
Back
Design
Fashion
" I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration. "
Colleen Atwood
Production
Inspiration
Chicago
" One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. "
Colleen Atwood
Challenges
Different
People
" I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers. "
Colleen Atwood
Layers
Say
Research
" Some of the kimonos took as long as four to five months to make, with all the layers that go into it. "
Colleen Atwood
Five
Long
Some
" I think a lot of young girls go through that period in their life of finding who they are, and at that point, looking good matters the most. "
Colleen Atwood
Finding
Think
Looking
" Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie. "
Colleen Atwood
Lot
Hollow
Even
" In real life, a lot of people at that level will have their kimonos made especially for them. "
Colleen Atwood
Will
Real
Lot
" If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story. "
Colleen Atwood
Dress
Picture
Color