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" Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles. "
Colleen Atwood
Trying
Suit
Class
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" I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. "
Colleen Atwood
People
Change
Day
" The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired. "
Colleen Atwood
Today
Eyes
Gone
" My own style is pretty classic; I much prefer to design for others. "
Colleen Atwood
My Own
Much
Design
" It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth. "
Colleen Atwood
Men
Costumes
Good-Looking
" Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie. "
Colleen Atwood
Work
Challenge
Action
" I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for. "
Colleen Atwood
Back
Design
Fashion
" I choose colors I like and will photograph well. I don't do color theory! "
Colleen Atwood
Photograph
Color
Choose
" I always have a moment when I know I'm designing the last costume that gets made for a movie, and it's always been floating up there, but it's kind of the last one. That's always probably the hardest one for me. "
Colleen Atwood
Moment
Know
Kind
" It's true that I'm not cozy. I'm more reserved. "
Colleen Atwood
Cozy
True
Reserved
" As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong? "
Colleen Atwood
You
Doing
Law
" I like the architecture of lingerie. "
Colleen Atwood
Lingerie
Like
Architecture
" When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture. "
Colleen Atwood
Picture
Work
Time
" I think a lot of young girls go through that period in their life of finding who they are, and at that point, looking good matters the most. "
Colleen Atwood
Finding
Think
Looking
" The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all. "
Colleen Atwood
Reality
People
World
" I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out. "
Colleen Atwood
Inside
Loved
Beautiful
" Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were. "
Colleen Atwood
Beauty
Just
You
" The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me. "
Colleen Atwood
Beautiful
Ideas
Great
" My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space. "
Colleen Atwood
Treat
Work
Negative
" Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie. "
Colleen Atwood
Lot
Hollow
Even
" Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me. "
Colleen Atwood
Art
Street
Process
" I get more distracted by hair or a really bad wig than I do costumes any day of the week. "
Colleen Atwood
Bad
Hair
More
" I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers. "
Colleen Atwood
Layers
Say
Research
" One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times. "
Colleen Atwood
Challenges
Different
People
" On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials. "
Colleen Atwood
Good
Looking
Street
" The costumes had to serve the choreography. "
Colleen Atwood
Costumes
Had
Serve
" I've always loved movies, art and clothes. "
Colleen Atwood
Loved
Movies
Clothes
" Some of the kimonos took as long as four to five months to make, with all the layers that go into it. "
Colleen Atwood
Five
Long
Some
" For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span. "
Colleen Atwood
Think
Beautiful
Fashion
" It's fun conjuring what people will be wearing in the future. We exist in this world today, and yet there are people walking around who still look like they're in the '60s. "
Colleen Atwood
World
Today
Fun
" As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things. "
Colleen Atwood
Beautiful
Problems
People