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" L.A. is a long shot city, and those who make that shot - you can tell. You can see very clearly who's made it and who hasn't. "
Michael Connelly
Shot
See
Long
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" To get a connection to your characters, you have to put them in a situation that you can feel yourself. "
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" I write at a pace that suits me, and sometimes it's two books a year, but most often it's one. "
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" The TV audience is way bigger than a book audience, and no matter what I do, I'm always thinking if this will help people read my books. "
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" I chose deliberately for Harry Bosch to age chronologically with the books. "
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" Eight to ten years in a patrol car? I didn't have that in me. "
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" My experience as a newspaper reporter was invaluable in terms of getting me to the kind of writing I do now. It gave me a work ethic of writing every day and pushing through difficult creative times. I mean, there's no writer's block allowed in a newsroom. "
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" The philosopher Friedrich Nietzsche once wrote that when you look into the darkness of the abyss the abyss looks into you. Probably no other line or thought more inspires or informs my work. "
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Look
Line
You
" In the TV world, we are seeing a lot more power going to the writer. I sense it is a writer's medium. "
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Going
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" I'd be lying if I said the success means nothing to me. It does. I enjoy it and live a pretty great life. "
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Life
Live
Success
" When you're working on a novel, you never think about how much it would cost to shoot one of your scenes. But that's a huge consideration in film and TV. "
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Film
Cost
Never
" I like stories about people who have to go into darkness for a good reason and then have to figure out how to deal with the darkness that seeps into their souls. "
Michael Connelly
Darkness
Good
Go
" I think there has to be an empathic strike between the reader and the protagonist. There has to be something said or known that connects the reader to this person you're going to ride through the story with. "
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You
Story
Person
" I can't say I'm an expert on public transport. "
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Transport
Public
Expert
" My literary heroes all wrote about L.A.: Joseph Wambaugh, Ross Macdonald, and Raymond Chandler were the three writers that made me want to be a writer. "
Michael Connelly
Heroes
Writer
Three
" A newspaper is the center of a community, it's one of the tent poles of the community, and that's not going to be replaced by Web sites and blogs. "
Michael Connelly
Center
Newspaper
Community
" When I was a teenager, I was a voracious reader of crime fiction, but only contemporary books. I was not interested in reading 'The Glass Key' or 'The Maltese Falcon' - stuff that was 40 or 50 years old. "
Michael Connelly
Key
Old
Years
" The three books I've written in Florida about L.A. are my best takes on the physicality of the city, as far as description goes. "
Michael Connelly
Far
Florida
Three
" I've crossed the Mexican border and gone to Tijuana a few times over the years, but I've never felt comfortable there. "
Michael Connelly
Mexican
Never
Comfortable
" I'm going to have to be impressed and feel confident in the people I'm handing a book to - or I'm not going to do it. Once you hand it to them, you're out. You have no control over it. "
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People
Book
Control
" In 'Blood Work,' they made choices I wouldn't have made, but I'm not a filmmaker. I took the money, and they told the story. "
Michael Connelly
Blood
Work
Story
" I connect to the tradition of Irish storytelling. And I think there is something - I can't put my finger on it - something genetic there. Maybe just a need to tell stories. "
Michael Connelly
Think
Storytelling
Tradition
" I admit my reading time is limited because I can write in the situations and places where people usually read. But reading is the fuel - it's inspiring - so I try to keep the tank full. What happens most of the time is I binge read. I will put aside a day or two to do nothing but read. "
Michael Connelly
Nothing
Try
Time
" I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes. "
Michael Connelly
Beach
News
Story
" I realize now I could have gotten a whole book out of that and so I think that was a big mistake. But the truth is you write in the moment and with your head down and there is no way back then that I could have conceived of Harry having the longevity that he has had. "
Michael Connelly
Mistake
Book
Moment
" A movie is like a city. There's, like, 150 people working, and it's all because of something that came out of your head. "
Michael Connelly
City
Head
Like
" As a former reporter, I wrote 'The Scarecrow' quickly - I didn't have to think about what the character would do the way I do with Harry Bosch. "
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Way
Wrote
Character
" I think there's a general misconception that anything written quickly lacks quality, and I don't believe that. "
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Lacks
Think
Anything
" My father was a builder. During my high school years, I worked for him. One summer, I was working with a guy who had just come back from Vietnam and had been a tunnel rat. He wouldn't talk about the experience, but it sounded really scary to me. "
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School
Experience
High School
" I trust the readers to build their own visual images. To me, that's part of the wonder of reading. "
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Me
Wonder
Build
" I've always thought of L.A. as the modern version of 'The Garden of Earthly Delights.' "
Michael Connelly
Always
Version
Thought