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" 'One Minus One' and 'Barcelona, 1975' are more or less autobiographical. "
Colm Toibin
Autobiographical
Less
Barcelona
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" The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side. "
Colm Toibin
Go
Fountain
Problem
" When a book comes from the publisher and you see it for the first time... Of course it's not remotely like seeing a baby for the first time, but I can remember with each book what room I was in when I opened it. That would be excitement, though, I think. Not pride. "
Colm Toibin
Remember
Time
Think
" I said that when I looked at photographs of the firefighters who went into the Twin Towers, their faces looked to me like Irish faces. I hadn't yet learnt how careful outsiders have to be when talking about race in America, and I'd put my foot in it. Someone stood up and said aggressively, 'What do you mean by Irish faces?' "
Colm Toibin
You
America
Race
" Life has a funny way of becoming ordinary as soon as it can. "
Colm Toibin
Way
Funny
Life
" You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that. "
Colm Toibin
School
Home
You
" People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away. "
Colm Toibin
Me
Silence
Writing
" I went to live in Barcelona in 1975, when I was twenty. Even before I went there, I knew more about the Spanish Civil War than I did about the Irish Civil War. I liked Barcelona, and then I grew to like a place in the Catalan Pyrenees called the Pillars, especially an area between the village of Flavors and the high mountains around it. "
Colm Toibin
Live
Village
War
" I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more. "
Colm Toibin
Ireland
Because
More
" The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop. "
Colm Toibin
Moments
Good
Distance
" All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much. "
Colm Toibin
Realize
You
Manipulation
" Solitude is good in the evening. Dublin is a quiet city when you get to a certain age, when your friends settle down and have kids. Nothing much happens here. "
Colm Toibin
Age
You
Solitude
" Between the time I was 16 until I was about 20, the books I read were by people like Thomas Mann, James Baldwin, Thom Gunn, Elizabeth Bishop. All gay, of course, although I swear I didn't know that at the time. Yet all of them, it turned out, had had a parent who died during their childhood. Sexuality is nothing compared to that. "
Colm Toibin
Time
People
Parent
" The Roman Catholic Church and its rituals were so much part of life that, although my parents would often question a small matter of dogma and none of us seemed more religious than anyone else, no one ever questioned the rituals or the basic tenets of belief. "
Colm Toibin
Small
Life
Us
" John McGovern taught me that it's OK to write repeatedly about the same things. "
Colm Toibin
Same
Me
OK
" I have to write a first draft with a fountain pen before I type it up as a second. "
Colm Toibin
Write
Pen
Fountain
" I think fiction lends itself to messiness rather than the ideal, and plays well with the ironies surrounding what happens versus what should happen. "
Colm Toibin
Happens
Happen
Ideal
" I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner. "
Colm Toibin
Impossible
I Am
Listen
" The old Victorian laws against homosexuality were still on the statute books until the early 1990s. As a gay man living in Ireland, I and people like me found it easy to feel less than citizens. "
Colm Toibin
People
Early
Man
" Look at Austen. In her novels, you get a dance, followed by an encounter, followed by a letter, then a period of solitude. No flashbacks and no backstory. Let's have no more back story! "
Colm Toibin
Story
Back
Dance
" Writing tends to be very deliberate. A novelist could probably run a military campaign with some success. They could certainly run a country. "
Colm Toibin
Run
Country
Military
" Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's a pleasure. "
Colm Toibin
Strong
Me
Writing
" I write with a sort of grim determination to deal with things that are hidden and difficult, and this means, I think, that pleasure is out of the question. I would associate this with narcissism anyway, and I would disapprove of it. "
Colm Toibin
Determination
Narcissism
Think
" The only routine I have is that I finish everything I start. I wake up early every day - about 6.30 A.M. - but I do not work every day. I could laze for a day or two, but I wouldn't do it for three. "
Colm Toibin
Work
Wake Up
Three
" People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to. "
Colm Toibin
World
Glamour
Boy
" I did think of becoming a priest quite late on, when other boys were thinking of knocking over fences and going out with girls. I would have made a very good bishop: nice housekeeper, nice clothes - god, the clothes. "
Colm Toibin
God
Good
Out
" It may be enough to study history in all its nuance and ambiguity for its own sake. But there is no country free of the need to find new ways of reading the past as an inspiring way of thinking about everything else, including the present. "
Colm Toibin
Thinking
History
Past
" I don't think we have a right to enjoy our neuroses; in fact, I believe that we have a duty not to. But we cannot walk away from ourselves. Who else is there to become? "
Colm Toibin
I Believe
Think
Walk
" Everyone who's in America spends the first few years not experiencing it. The person is frightened by the newness of the place and doesn't see things. Her emotional universe becomes the entire universe. And then when she thinks of home, her distance in space can seem like a distance in time. "
Colm Toibin
She
America
Home
" The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize. "
Colm Toibin
Story
Feel
Trying
" I'm slightly influenced by sport in that I like the idea of trying, like an athlete, to keep absolutely ready. That's an emotional thing, almost. I don't mean physically, although I play tennis. But you try to keep yourself ready. "
Colm Toibin
Athlete
Play
Trying