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" Morals always sound like cliches, but usually cliches are based on things that are ultimate truths. Be grateful for what you have; appreciate what's right there in front of you. "
Henry Selick
You
Right
Appreciate
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" Puppets seem like vampires sometimes. They live, and you're depleted. "
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" I learned my lesson that in the live-action world, you have to earn the support of people over a very, very long time. And in animation, I already have the support. "
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" People are always telling me that boys won't go to girls' movies and vice versa. It's not true. "
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" Unless you have kids, you actually have no idea what kids are watching on TV these days. "
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" I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing. "
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Feel
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People
" Stop-motion is sort of twitchy; you can feel the life in it. If we were to remove that completely, there'd be no point in it. "
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No Point
You
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" My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that. "
Henry Selick
Work
Father
Me
" I think it's important that kids see another kid - Coraline - who doesn't have guns, she doesn't have super-powers, she's not a super-genius. To see a pretty normal kid - I mean, she's probably a little more curious, a little more stubborn, but she's a real kid - go up against something that's truly dark and evil and powerful. And she does win. "
Henry Selick
She
Think
Win
" While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching up to do. "
Henry Selick
See
Barely
Got
" Very few people have made the transition from animation to live-action; I'm certainly not one. "
Henry Selick
People
Made
Transition
" Nobody does animation better than Disney; it's just that some of us wanted out of the box. Burton was one. I was another. We were the mutual complaint society. "
Henry Selick
Nobody
Society
Box
" People are very harsh critics of animated humans. "
Henry Selick
Critics
Very
People
" Underneath this tired, middle-aged exterior, I'm an 11 year old kid. "
Henry Selick
Year
Kid
Tired
" In all animation, if it's done quickly, you'll know it. And if you're very slow and careful with it, it's going to look a little more beautiful. It's just compressing time into seconds. "
Henry Selick
Time
You
Know
" There's very few people who want to just make beautiful films that make money, when they can make films that make huge money. "
Henry Selick
Just
Beautiful
Want
" Cyclops, that's like this primal fear. I had dreams for years that the Cyclops was a small creature living in our huge fish tank at home, and at night, it was going to grow to full size and come after me. "
Henry Selick
Small
Fish
Dreams
" Having to make a blockbuster every time puts unhealthy pressure on creatives. The pressure on the filmmakers is so intense, I think it stifles the creativity. "
Henry Selick
Think
Creativity
Make
" Kids love to be scared; we all do. But there's a difference between leaving them hanging out there, with their fears, and then bringing them safely home. Kids love it when someone like them stands up against real evil, something really horrendous and frightening, and win. "
Henry Selick
Someone
Leaving
Home
" What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object. "
Henry Selick
Life
Situation
Present
" We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money. "
Henry Selick
Stop
Money
Potential
" There's this long tradition of... even 'Where The Wild Things Are,' which many people consider the best kids' picture book of all time. It was considered revolutionary, and some libraries wouldn't carry it. But it's a classic because it taps into empowerment for kids, kids facing dangers and winning. "
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Winning
People
Long
" As a director, I'm not the one animating every frame, every shot. I'm moving around like a surgeon on rounds, or a farmer checking in on all the plants being grown, pruning and adjusting. For me, it's a very exciting job. "
Henry Selick
Plants
Moving
Me
" I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters. "
Henry Selick
Age
Young
Spirits
" There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling. "
Henry Selick
Ghetto
Time
Look
" I was at Disney for about four years, so I made good friends there. It was a time of not a lot of creativity. It was the end of the first great era, with a few of the original animators. They called them the Nine Old Men. I learned a lot from them, but it wasn't going to be a future home for me. "
Henry Selick
Time
Future
Good
" I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet. "
Henry Selick
Me
Creative
Creativity
" Making 'Coraline' was one of the great filmmaking experiences of my life. "
Henry Selick
Great
Filmmaking
Life
" I'm meant to be an animation director. That world, and the culture of stop-motion, is where I want to live. It's more my problem than Hollywood's. I'm not attuned to Hollywood. "
Henry Selick
Live
Problem
Want
" You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect. "
Henry Selick
Short
You
Perfect
" If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses. "
Henry Selick
Drawing
Too
You