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" I learned my lesson that in the live-action world, you have to earn the support of people over a very, very long time. And in animation, I already have the support. "
Henry Selick
Long
People
Support
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" While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching up to do. "
Henry Selick
See
Barely
Got
" 'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film. "
Henry Selick
Film
Action
Book
" Unless you have kids, you actually have no idea what kids are watching on TV these days. "
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You
Kids
No Idea
" Just like those little Viewmaster slides, there's a inherent magic that's captured in 3D that you can't get in drawn animation or in CG. "
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You
Magic
Little
" I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters. "
Henry Selick
You
Small
Think
" If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses. "
Henry Selick
Drawing
Too
You
" Underneath this tired, middle-aged exterior, I'm an 11 year old kid. "
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Year
Kid
Tired
" Morals always sound like cliches, but usually cliches are based on things that are ultimate truths. Be grateful for what you have; appreciate what's right there in front of you. "
Henry Selick
You
Right
Appreciate
" What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm. "
Henry Selick
Page
Toys
Fairy
" I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters. "
Henry Selick
Age
Young
Spirits
" There's this long tradition of... even 'Where The Wild Things Are,' which many people consider the best kids' picture book of all time. It was considered revolutionary, and some libraries wouldn't carry it. But it's a classic because it taps into empowerment for kids, kids facing dangers and winning. "
Henry Selick
Winning
People
Long
" Nobody does animation better than Disney; it's just that some of us wanted out of the box. Burton was one. I was another. We were the mutual complaint society. "
Henry Selick
Nobody
Society
Box
" I was at Disney for about four years, so I made good friends there. It was a time of not a lot of creativity. It was the end of the first great era, with a few of the original animators. They called them the Nine Old Men. I learned a lot from them, but it wasn't going to be a future home for me. "
Henry Selick
Time
Future
Good
" I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing. "
Henry Selick
Feel
More
People
" Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go. "
Henry Selick
Saying
Mean
Go
" When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making. "
Henry Selick
People
Up
You
" Making 'Coraline' was one of the great filmmaking experiences of my life. "
Henry Selick
Great
Filmmaking
Life
" My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that. "
Henry Selick
Work
Father
Me
" There's always kids who become stop motion animators. I get stuff all the time. They put it on YouTube. It's exciting to see. "
Henry Selick
Motion
YouTube
Time
" As a director, I'm not the one animating every frame, every shot. I'm moving around like a surgeon on rounds, or a farmer checking in on all the plants being grown, pruning and adjusting. For me, it's a very exciting job. "
Henry Selick
Plants
Moving
Me
" Having to make a blockbuster every time puts unhealthy pressure on creatives. The pressure on the filmmakers is so intense, I think it stifles the creativity. "
Henry Selick
Think
Creativity
Make
" Kids love to be scared - there's way to do it right, and ways to do it wrong. "
Henry Selick
Right
Wrong
Way
" People are always telling me that boys won't go to girls' movies and vice versa. It's not true. "
Henry Selick
Always
True
People
" Very few people have made the transition from animation to live-action; I'm certainly not one. "
Henry Selick
People
Made
Transition
" Stop-motion is sort of twitchy; you can feel the life in it. If we were to remove that completely, there'd be no point in it. "
Henry Selick
No Point
You
Remove
" What stop-motion does best is present real objects magically brought to life in a very imperfect situation; the hand of the artist is there, the electricity of someone touching, massaging and torturing themselves to get life out of an inanimate object. "
Henry Selick
Life
Situation
Present
" No one's ever going to make a PG-13 animated film unless David Fincher executive produces it and puts it out on Netflix, and then if it's a success everyone will change. "
Henry Selick
Netflix
Change
Everyone
" There's very few people who want to just make beautiful films that make money, when they can make films that make huge money. "
Henry Selick
Just
Beautiful
Want
" We are suffering from a glut of too many 3-D movies and not enough screens. "
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Suffering
Too
Movies
" I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films. "
Henry Selick
Love
Think
People