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" There's very few people who want to just make beautiful films that make money, when they can make films that make huge money. "
Henry Selick
Just
Beautiful
Want
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" I learned my lesson that in the live-action world, you have to earn the support of people over a very, very long time. And in animation, I already have the support. "
Henry Selick
Long
People
Support
" Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go. "
Henry Selick
Saying
Mean
Go
" Making 'Coraline' was one of the great filmmaking experiences of my life. "
Henry Selick
Great
Filmmaking
Life
" Just like those little Viewmaster slides, there's a inherent magic that's captured in 3D that you can't get in drawn animation or in CG. "
Henry Selick
You
Magic
Little
" Unless you have kids, you actually have no idea what kids are watching on TV these days. "
Henry Selick
You
Kids
No Idea
" I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet. "
Henry Selick
Me
Creative
Creativity
" There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling. "
Henry Selick
Ghetto
Time
Look
" In all animation, if it's done quickly, you'll know it. And if you're very slow and careful with it, it's going to look a little more beautiful. It's just compressing time into seconds. "
Henry Selick
Time
You
Know
" If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses. "
Henry Selick
Drawing
Too
You
" While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching up to do. "
Henry Selick
See
Barely
Got
" CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories. "
Henry Selick
Desire
Barbie
Want
" I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films. "
Henry Selick
Love
Think
People
" I think it's important that kids see another kid - Coraline - who doesn't have guns, she doesn't have super-powers, she's not a super-genius. To see a pretty normal kid - I mean, she's probably a little more curious, a little more stubborn, but she's a real kid - go up against something that's truly dark and evil and powerful. And she does win. "
Henry Selick
She
Think
Win
" No one's ever going to make a PG-13 animated film unless David Fincher executive produces it and puts it out on Netflix, and then if it's a success everyone will change. "
Henry Selick
Netflix
Change
Everyone
" My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that. "
Henry Selick
Work
Father
Me
" I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters. "
Henry Selick
Age
Young
Spirits
" I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire. "
Henry Selick
Horror
Humor
Looking
" Cyclops, that's like this primal fear. I had dreams for years that the Cyclops was a small creature living in our huge fish tank at home, and at night, it was going to grow to full size and come after me. "
Henry Selick
Small
Fish
Dreams
" Nobody does animation better than Disney; it's just that some of us wanted out of the box. Burton was one. I was another. We were the mutual complaint society. "
Henry Selick
Nobody
Society
Box
" 'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film. "
Henry Selick
Film
Action
Book
" Kids love to be scared; we all do. But there's a difference between leaving them hanging out there, with their fears, and then bringing them safely home. Kids love it when someone like them stands up against real evil, something really horrendous and frightening, and win. "
Henry Selick
Someone
Leaving
Home
" Very few people have made the transition from animation to live-action; I'm certainly not one. "
Henry Selick
People
Made
Transition
" We can still do a stop motion feature for about one-third of what it costs Pixar or DreamWorks or Blue Sky to make a feature. But nobody is interested in a film that cost $50 to 60 million with the potential to do $120 million. They want to risk big money to make huge money. "
Henry Selick
Stop
Money
Potential
" People are very harsh critics of animated humans. "
Henry Selick
Critics
Very
People
" You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect. "
Henry Selick
Short
You
Perfect
" I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters. "
Henry Selick
You
Small
Think
" When you're writing, it's all up to you, and you don't have to make any compromises. And when you're directing, there's this intense pleasure you get from working with all these really talented people, and pooling the efforts towards a common goal. I like all the aspects of film-making. "
Henry Selick
People
Up
You
" People are always telling me that boys won't go to girls' movies and vice versa. It's not true. "
Henry Selick
Always
True
People
" Having to make a blockbuster every time puts unhealthy pressure on creatives. The pressure on the filmmakers is so intense, I think it stifles the creativity. "
Henry Selick
Think
Creativity
Make
" I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing. "
Henry Selick
Feel
More
People